Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
When she was finally ready to go home at four o'clock in the morning, or
when the others were agreed to let her go, she hardly remembered that
she had Eugene with her. She saw him waiting as two students were asking
for the privilege of taking her home.
"No," she exclaimed, seeing him, "I have my escort. I'm going now.
Good-bye," and came toward him. He felt rather frozen and out of it.
"Are you ready?" she asked.
He nodded gloomily, reproachfully.
CHAPTER XII
From drawing from the nude, which Eugene came to do very successfully
that winter, his interest switched to his work in the illustration class
where costume figures were used. Here, for the first time, he tried his
hand at wash drawings, the current medium for magazine work, and was
praised after a time for his execution. Not always, however; for the
instructors, feeling that harsh criticism would make for steadier
effort, pooh-poohed some of his best work. But he had faith in what he
was destined to do, and after sinking to depths of despair he would rise
to great heights of self-confidence.
His labor for the Peoples' Furniture Company was becoming a rather
dreary grind when Vincent Beers, the instructor in the illustration
class, looking over his shoulder one Wednesday afternoon said:--"You
ought to be able to make a little money by your work pretty soon,
Witla."
"Do you think so?" questioned Eugene.
"It's pretty good. There ought to be a place on one of the newspapers
here for a man like you--an afternoon newspaper possibly. Did you ever
try to get on?"
"I did when I first came to the city, but they didn't want anyone. I'm
rather glad they didn't now. I guess they wouldn't have kept me very
long."
"You draw in pen and ink pretty well, don't you?"
"I thought I liked that best of all at first."
"Well, then, they ought to be able to use you. I wouldn't stay very long
at it though. You ought to go to New York to get in the magazine
illustration field--there's nothing out here. But a little newspaper
work now wouldn't hurt you."
Eugene decided to try the afternoon papers, for he knew that if he got
work on one of these he could still continue his night classes. He could
give the long evening session to the illustration class and take an
occasional night off to work on the life studies. That would make an
admirable arrangement. For several days he took an hour after his work
to make inquiry, taking with him some examples of his pen and inks.
Several of the men he saw liked what he had to show, but he found no
immediate opening. There was only one paper, one of the poorest, that
offered him any encouragement. The editor-in-chief said he might be in
need of a man shortly. If Eugene would come in again in three or four
weeks he could tell him. They did not pay very much--twenty-five dollars
to beginners.
Public-domain text, read in full here on John Shaqi.
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