During the afternoon there were more lovely impressions. He and Angela sat alone in the cool parlor for two hours after dinner while he restated his impressions of her over and over. He told her how charming he thought her home was, how nice her father and mother, what interesting brothers she had. He made a genial sketch of Jotham as he had strolled up to him at noon, which pleased Angela and she kept it to show to her father. He made her pose in the window and sketched her head and her halo of hair. He thought of his double page illustration of the Bowery by night and went to fetch it, looking for the first time at the sweet cool room at the end of the house which he was to occupy. One window, a west one, had hollyhocks looking in, and the door to the north gave out on the cool, shady grass. He moved in beauty, he thought; was treading on showered happiness. It hurt him to think that such joy might not always be, as though beauty were not everywhere and forever present. When Angela saw the picture which _Truth_ had reproduced, she was beside herself with joy and pride and happiness. It was such a testimony to her lover's ability. He had written almost daily of the New York art world, so she was familiar with that in exaggerated ideas, but these actual things, like reproduced pictures, were different. The whole world would see this picture. He must be famous already, she imagined. That evening and the next and the next as they sat in the parlor alone he drew nearer and nearer to that definite understanding which comes between a man and woman when they love. Eugene could never stop with mere kissing and caressing in a reserved way, if not persistently restrained. It seemed natural to him that love should go on. He had not been married. He did not know what its responsibilities were. He had never given a thought to what his parents had endured to make him worth while. There was no instinct in him to tell him. He had no yearnings for parenthood, that normal desire which gives visions of a home and the proper social conditions for rearing a family. All he thought of was the love making period--the billing and cooing and the transports of delight which come with it. With Angela he felt that these would be super-normal precisely because she was so slow in yielding--so on the defensive against herself. He could look in her eyes at times and see a swooning veil which foreshadowed a storm of emotion. He would sit by her stroking her hands, touching her cheek, smoothing her hair, or at other times holding her in his arms. It was hard for her to resist those significant pressures he gave, to hold him at arm's length, for she herself was eager for the delights of love. It was on the third night of his stay and in the face of his growing respect for every member of this family, that he swept Angela to the danger line--would have carried her across it had it not been for a fortuitous wave of emotion, which was not of his creation, but of hers.