The Genius of Scotland; or, Sketches of Scottish Scenery, Literature and ReligionTurnbull, Robert
Religion
The Genius of Scotland; or, Sketches of Scottish Scenery, Literature and Religion
Turnbull, Robert
Scotland -- Description and travel
Let us go then to George's Square, near the centre of the city, and look
at Chantrey's monument of the man who has done so much to bring about
such a change. The Square contains also a fine monument of Sir Walter
Scott, in the form of a fluted Doric column, about eighty feet high,
surmounted by a colossal statue of "the great magician of the north." He
is represented standing in an easy attitude, with a shepherd's plaid
thrown half around his body. The likeness is said to be remarkably good.
It has that expression of shrewdness, honesty and good nature for which
he was distinguished, but none of that ideal elevation which graces the
countenances of Schiller, Goethe and Shakspeare. Immediately in front of
this monument, is a beautiful pedestrian statue in bronze, by Flaxman,
of Sir John Moore, the subject of Wolfe's exquisite lyric,--
"Not a drum was heard, not a funeral note,
As his corpse to the ramparts we hurried,
Not a soldier discharged his farewell shot,
O'er the grave where our hero we buried."
Sir John Moore was a citizen of Glasgow, and his townsmen have erected
this statue as expressive of their veneration for his memory. To the
right of this monument, in the south-west angle of the square, you see
in bronze, and of colossal magnitude, the noble figure of James Watt. He
is represented in a sitting posture on a circular pedestal of Aberdeen
granite. It is considered one of the happiest productions of the
distinguished Chantrey. The fine meditative features of the great
inventor are strikingly developed. Watt was born in Greenock, on the
19th of January, 1736, but conducted his experiments chiefly in Glasgow.
He came thither in 1757, first as a mathematical instrument maker to the
college, and subsequently as an engineer. In early life he gave
indications of his peculiar genius, by various little mechanical
contrivances. At the age of six years, he was occasionally found
stretched on the floor, delineating with chalk the lines of a
geometrical problem. At other times he greatly obliged his young
companions by making and repairing their toys; and before he had reached
his seventeenth year he had amused them with the wonders of an
electrical machine of his own construction. He had also instructed
himself by making experiments on the steam of a tea-kettle. He
subsequently stored his mind with the wonders of physics, chemistry and
medicine.
In the University of Glasgow, Watt was employed to fit up the
instruments of the Macfarlane Observatory, which gave him an opportunity
of becoming acquainted with Adam Smith, Joseph Black, and Robert Simson,
names immortal in the scientific annals of Scotland. Here also he formed
an intimacy with John Robinson, then a student at college, and
subsequently the celebrated Dr. Robinson, who first called the attention
of Watt to the subject of steam engines, and threw out the idea of
applying them to steam carriages and other purposes.
Public-domain text, read in full here on John Shaqi.
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