The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
“_Monsieur, je ne suis pas le gendarme de la curiosité_,” old Manheim
used to say to the novice showing him objects not purchased from his
gallery. This was the old attitude of the trade. We do not mean that
all behaved like Manheim in refusing to play the part of “policeman of
curio-dealing,” others may have taken the opportunity to run down an
article sold by a neighbour, but there was no probability of an object
passing from one firm to another in search of better success, or going
from Paris to London and vice versa to find the proper atmosphere
or the suitable kind of knavery. Psychologically speaking this is
speculating on a faddism similar to that which induces the Parisian
dandy to send his shirts to London to be ironed, and at the same time
suggests an inverted game to the London snob who may believe that
Parisian starch is without an equal for shirt fronts.
The spirit of association and a perfected knowledge of the
idiosyncrasies of the modern buyer have led to the discovery that
some objects show to better advantage in Paris and that others gain
in the sombre grey atmosphere of London, that each background has
its peculiar value and may be turned to account respectively in the
realization of higher figures. There are even special cases when to
fetch the best price an object must be sent to its birthplace where
the freakish or immature client’s fancy may be tickled to advantage.
The whole of this complex game in modern curio-dealing may be summed
up in the single maxim: “Find the vulnerable spot, the Achilles’ heel
of your client, and you are safe.” It must be added that the Achilles’
heel of the modern collector may be of a more complex anatomy but is
of more extended proportions than that of the Greek hero. As soon as
a star of first magnitude bursts forth upon the financial sky to rise
upon the artistic one, all the forces of the latter quickly learn
dynamic precision, the extent of possibilities. Whether erratic or not,
the orbit of the new star will be studied throughout its course with
astronomical exactitude. To continue the metaphorical image it may be
added that should the new star prove to be of solar magnitude a whole
planetary system of cupidity and greedy desire will soon be formed
within its golden rays.
From now forward it is of this shady brilliancy of the planetary system
of the curio world that we intend to speak. The honest dealer needs
neither our praise nor defence, he can take care of himself, and the
esteem he enjoys plainly divides him from the sphere upon which we are
entering, the precinct of an art and curio inferno which might bear
Dante’s superscription: “Through me is the way to the city dolent.”
As the main principle of curio-dealing is to buy at a low figure and
sell at the highest price possible, it is evident that when this
apophthegm falls into the hands of the unscrupulous, the art of buying
and selling takes on most Machiavellian hues.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account