The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
Rugs, particularly Oriental rugs, belong in a way to the same family
as tapestry and may be classified with it. There is this difference,
however: being less complicated in character and for the most part
adorned only with geometrical patterns and rudimentary arabesques,
rugs are imitated with greater facility. Things do not change so
quickly in the East as in Western countries, and there the old weaving
apparatus is still in use and materials are only just beginning to be
imported from Europe. A large field is thus opened up to imitation,
and to a certain extent to faking also. It is nevertheless hard
to deceive experts and specialists. Keen-eyed and accustomed to
distinguish between different kinds, and to judge of age, they are
also able to detect modern frauds. But, alas, good experts are rare
and conceited collectors abound, and for this reason fraud is rampant
and remunerative, even in this field. Those buying rugs for the
sake of having a collection and not to furnish their houses with a
comfortable and highly artistic luxury are advised to place themselves
in the hands of an expert. It will save time and trouble. An eclectic
collector, however gifted, will rarely consent to go deeply into this
branch, as the mastery of it implies great sacrifice of time and the
boredom of learning a difficult language, things that prove no obstacle
to the passionate lover of the speciality, but tedious and irksome to
the general art lover.
Following an erratic course in this chapter, we will now pass on to
books, manuscripts and autographs, a branch with many devotees and
all kinds of collectors, in which trickery and faking find an almost
incredibly large sphere of action.
Book collectors are of two kinds, the one who prizes the work for the
rarity of the edition, and the other who is attracted by the binding.
The former is the true book collector, the latter is really only a
collector of rare and artistic bindings. The two preferences do not
mutually exclude one another, of course, and when found together offer
the most complete kind of book collector.
Public-domain text, read in full here on John Shaqi.
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