The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present dayNobili, Riccardo
History
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
Nobili, Riccardo
Art -- Forgeries; Collectors and collecting; Forgery of antiquities
As we have seen, the genus _curieux_ (curio-hunter) comprises a most
complex and multiform assembly of types. From the distant ages of Roman
dominion down to our times, collectomania has produced characters
graduated in originality from the grotesque to the tragic, the false to
the genuine, the sordid or wicked like Mark Antony and Verres to noble
representatives like Julius Cæsar, Augustus and Agrippa.
Curiously enough the noble type of collector and the usefulness of
his mission have generally escaped the observation of writers of all
ages. They seem to have been quicker to see the grotesque side of
collectomania than its utility. Martial, Juvenal, Pliny, Seneca and
others are not dissimilar in their remarks from--say, Molière and La
Bruyère.
So strong is the inclination to place the types in a grotesque setting,
to make them the target of witty sallies, that they very often mistake
oddities for signs of idiocy, idiosyncrasies and peculiarities for
craziness, and, carrying their analysis no further, they let loose the
vein of their satire on people whose passion for collecting has been of
extreme use to the intellectual world, greatly assisting progress and
the civilization of humanity.
“Just like a donkey beholding a lyre,” gibes an old Greek epigram
in allusion to collectors who, while buying eagerly, give so little
time, or none at all, to the enjoyment of the artistic merits of their
acquisitions. Addressing one of his contemporaries who had a passion
for collecting manuscripts and volumes but no inclination to read
them, Lucian remarks: “Why so many literary works? Do you collect them
in order to lie on the learned thoughts of others, or to paste the
parchment of the volumes to your skin? With it all you will not become
a jot more learned; a monkey is always a monkey, even though covered
with gilded garments.”
To follow up the special case of book-collecting to which Lucian’s
remark casually leads us, the same sentiment as that of the Greek
writer was entertained centuries later by Petrarch and Robert Estienne.
The former was a poet and bibliophile, the latter a famous printer,
author of the _Thesauros linguæ latinæ_. The two did not spare satires
on the mere collector of books.
Public-domain text, read in full here on John Shaqi.
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