Jim Bardlock swore a violent oath. “That's the talk!” he shouted. “Ef I
ain't the first man of this crowd to set my foot in Roowun, an' first to
beat in that jail door, an' take 'em out an' hang 'em by the neck till
they're dead, dead, dead, I'm not Town Marshal of Plattville, County of
Carlow, State of Indiana, and the Lord have mercy on our souls!”
Tom Martin looked at the brown stain and quickly turned away; then he
went back slowly to the village. On the way he passed Warren Smith.
“Is it so?” asked the lawyer.
Martin answered with a dry throat. He looked out dimly over the sunlit
fields, and swallowed once or twice. “Yes, it's so. There's a good deal
of it there. Little more than a boy he was.” The old fellow passed his
seamy hand over his eyes without concealment. “Peter ain't very bright,
sometimes, it seems to me,” he added, brokenly; “overlook Bodeffer and
Fisbee and me and all of us old husks, and--and--” he gulped suddenly,
then finished--“and act the fool and take a boy that's the best we had.
I wish the Almighty would take Peter off the gate; he ain't fit fer it.”
When the attorney reached the spot where the crowd was thickest, way
was made for him. The old colored man, Xenophon, approached at the
same time, leaning on a hickory stick and bent very far over, one hand
resting on his hip as if to ease a rusty joint. The negro's age was
an incentive to fable; from his appearance he might have known the
prophets, and he wore that hoary look of unearthly wisdom many decades
of superstitious experience sometimes give to members of his race.
His face, so tortured with wrinkles that it might have been made of
innumerable black threads woven together, was a living mask of the
mystery of his blood. Harkless had once said that Uncle Xenophon had
visited heaven before Swedenborg and hell before Dante. To-day, as he
slowly limped over the ties, his eyes were bright and dry under the
solemn lids, and, though his heavy nostrils were unusually distended in
the effort for regular breathing, the deeply puckered lips beneath them
were set firmly.
He stopped and looked at the faces before him. When he spoke his voice
was gentle, and though the tremulousness of age harped on the vocal
strings, it was rigidly controlled. “Kin some kine gelmun,” he asked,
“please t'be so good ez t' show de ole main whuh de W'ite-Caips is done
shoot Marse Hawkliss?”
“Here was where it happened, Uncle Zen,” answered Wiley, leaning him
forward. “Here is the stain.”
Xenophon bent over the spot on the sand, making little odd noises in his
throat. Then he painfully resumed his former position. “Dass his blood,”
he said, in the same gentle, quavering tone. “Dass my bes' frien' whut
lay on de groun' whuh yo staind, gelmun.”
There was a pause, and no one spoke.
Public-domain text, read in full here on John Shaqi.
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