The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
From the other side of the bush Billy's suppressed laughter was heard:
"Why Marion!" Then Billy straightened up, held a bunch high against the
moon, looked at it and said impressively, "Tragic is sad, but sad like
his eyes, sad but still wonderfully beautiful, more beautiful than
anything that is jolly." Then she bent her head back and let the bunch
glide slowly into her open mouth, and in this action she felt wholly
magnificent, wholly beautiful, wholly a part of the moonlight night.
Gradually the moonlight lost in brightness, and a gray luminosity
mingled with it and displaced it, a light which looked as if it were
coming through dusty window-panes.
"The morning is coming," said Billy seriously, "come, let us go."
"Where to?" asked Marion.
"We'll wait for the sun," decided Billy.
The two girls went to the end of the garden, where the meadow begins,
and sat down on a bench. They were a trifle pale and shivered as they
huddled together, but Billy sat quite erect none the less, her eyes
large and wakeful, her lips as if ready for an excited smile. She still
felt all the grateful solemnity of that sadness, which was after all
wonderfully beautiful. The mists on the meadow became transparent, the
sky turned almost white, a magpie began to chatter in the thicket, and
a crow flew through the glassy twilight, very black and heavy. A
dream-world, and Billy felt that surrender which we have in dreams, for
dreams give us all possible miracles even without our aid. Then came
color, a string of rose-red cloudlets laid themselves on the sky, over
the black tops of the forest trees there came a shower of red, and then
suddenly everything was full of the commotion of a purple and golden
light. "Ah, there it is," said Billy, and the two girls stared
motionless and as if stupefied at the rising sun. But as the sun
rose higher, and the colors all drowned in the uniform yellow light,
Billy's face again grew serious and lined with care, for here was
another day with its responsibilities and decisions. "Come," said Billy
to Marion, and they again crept into the house and up into her room.
"Shall we sleep now?" asked Marion.
"How can you think of it?" replied Billy; "at twelve you must be at the
linden. Come sit down beside me." She pulled up a chair for Marion; she
herself climbed into bed, but sat up, leaning against the pillows. So
the two children sat together; their eyes closed at times and then they
slept, but as we doze in the train, constantly starting up again in
fear of missing something. In the course of the morning Countess Betty
knocked twice at the door, but she was not admitted. "No, no, we are
sleeping," was the word. When Lina the chambermaid came, she was given
the order for breakfast. "A whole lot," said Billy, "tea and eggs, ham,
and bread, and a whole lot, do you hear?" She had a veritable
traveler's appetite.
Public-domain text, read in full here on John Shaqi.
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