The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Yes I did, I knew it, I feel now that I knew it all the time--and even
over there when I came away from him." She was silent a while, and it
grew so still that they heard the night-dew trickling through the
leaves. Suddenly Billy raised herself, stood before Moritz white and
erect, brushed the hair from her forehead, while the moonlight rested
on her face, which seemed queerly pale and calm, and said in almost a
matter-of-fact tone, "Will you come along, Moritz?"
"Where to, Billy!"
"I _must_ go to him, you can see that; I left him once before. He can't
stay there alone in that terrible room. The Jewess is looking at him
and the children are standing in the door. No, I will not forsake him
again; but alone through the forest again--please, Moritz, come along."
She swayed slightly, propped herself on Moritz's shoulder, and then
sank down quietly and heavily before him.--
Billy had been sick for a long time. Now it was a sunny September
afternoon, and she was for the first time permitted to go out into the
garden. On the patch of turf under the pear-tree Billy sat wrapped in
shawls, her face haggard and transparently pale, and in her eyes the
lazily relishing glance of the convalescent, who likes to let his eyes
rest a long time upon objects. On the other grass-plot Lisa was lying
in her reclining chair, and Madame Bonnechose sat beside her, knitting
a red child's stocking. Countess Betty and Marion never stopped running
along between the rows of dahlias to and from the house and the
grass-plots. Count Hamilcar was taking his afternoon stroll. He walked
slowly down the garden-path, leaning heavily on his cane; from time to
time he stopped, sniffed the scent of the ripe fruit, the flowers, and
the fading leaves, and put on a stern, angry face, for he was indeed
vexed. Here lay these two beautiful creatures now, blighted by life,
crumpled up, attacked from ambush. Why? Why this barbarity? Why this
waste? He drew up his gray eyebrows discontentedly and blinked out at
the fringe of forest which lay far away in a violet haze. Was it not
perhaps a misunderstanding, his misunderstanding, this charming culture
that he had carefully erected like a fence about himself and his dear
ones? Could one learn how to live here? As he passed Lisa, he heard her
say in her elegiac fashion,
"I do not believe that Billy can understand a great pain, or that she
can enjoy it, for we must be able to enjoy even our pain."
"Enjoy, _ma chère, quelle idée_," said Madame Bonnechose, without
looking up from her knitting.
The count passed on and came to a stop before Billy. "Well, how are
you?" he asked a little sternly.
Billy flushed. "Thank you, papa, well. I wanted to tell you something."
"Oh, you did." The count sat down on a garden-chair facing his daughter
and looked attentively at her.
"I wanted to ask you," began Billy, looking up into the pear-tree, "I
wanted to ask you if you have forgiven me."
Public-domain text, read in full here on John Shaqi.
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