The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
This was deportment. But as for dancing, M. Knaak mastered that in
still higher degree, if possible. In the empty salon the gas-flames of
the chandelier and the candles on the mantle-piece were burning. The
floor was strewn with soapstone, and the pupils stood about in a mute
semicircle. Beyond those portieres, in the adjoining room, sat the
mothers and aunts in plush chairs, surveying M. Knaak through their
lorgnettes, as he bowed forward, grasped the hem of his frock-coat with
two fingers of each hand, and with springy legs demonstrated the
various steps of the mazurka. But when he had a mind to completely
startle his audience, he would suddenly and without cogent reason leap
high in the air, cut pigeon-wings with bewildering rapidity, trilling
with his feet, so to say, whereupon he would return to this earth with
a muffled thud which, however, shook everything to its foundations.
"What an incomprehensible monkey!" thought Tonio Kröger. But he saw
clearly that Inga Holm, the merry Inga, often followed M. Knaak's
movements with a self-forgetful smile, and this was not the only reason
why all this wonderfully controlled corporosity did at bottom wrest
from him something like admiration. How peaceful and unperplexed M.
Knaak's eyes were! They did not penetrate to the point where matters
grow complex and mournful; they knew nothing save that they were brown
and beautiful. But that was why his bearing was so haughty. Yes, you
must be stupid in order to walk like him; and then you would be loved
because you were amiable. He comprehended so readily that Inga,
fair-haired, sweet Inga, looked upon M. Knaak as she did. But would
never a maiden look thus upon himself?
Oh yes, that happened. There was Magdalen Vermehren, lawyer Vermehren's
daughter, with the gentle mouth and the large, dark, shining eyes full
of seriousness--and sentimentality. She often fell in dancing; but she
came to him when it was ladies' choice, she knew that he wrote verses,
twice she had asked him to show them to her, and often she looked at
him from a distance with lowered head. But what good was that to him?
As for him, he loved Inga Holm, the fair-haired merry Inga, who
undoubtedly despised him because he wrote poetic things ... he looked
at her, saw her elongated blue eyes full of happiness and mockery, and
an envious longing, a bitter, harassing pain at being cut off from her
and eternally foreign to her, dwelt in his breast and burned there ...
Public-domain text, read in full here on John Shaqi.
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