The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
At times, during these thirteen years, when his stomach was out of
order, he had dreamed that he was again at home in the echoing old
house on the slanting street, and that his father was there again too,
chiding him severely because of his degenerate mode of life,--which
censure he regularly regarded as quite proper. And this present moment
now had nothing to distinguish it from one of those illusory and
unrending dream-fabrics, in which one may ask himself whether this be
hallucination or reality, and of necessity and with deep conviction
declare for the latter, only to wake up after all ... He walked through
the sparsely peopled, draughty streets, lowering his head against the
wind, and moved like a somnambulist in the direction of the hotel, the
best in the city, where he intended to spend the night. A bow-legged
man, carrying a pole surmounted by a flame, walked along before him
with a rocking sailor's gait, lighting the gas-lamps.
How _did_ he feel? What was all this that glowed so darkly and
painfully under the ashes of his weariness, without becoming a clear
flame? Hush, hush, and not a word! No words! Fain would he have spent a
long time walking thus in the wind through the dim, dreamily familiar
streets. But everything was so cramped and so close together. It took
no time to reach one's goal.
In the upper city there were arc-lights and they were just beginning to
glow. There was the hotel, and there were the two black lions before it
that had frightened him so as a child. They still looked at each other
just as if they were about to sneeze; but they seemed to have grown
much smaller since that day.--Tonio Kröger passed between them.
As he came on foot, he was received without much ceremony. The porter
and a very elegant gentleman in black who received the guests, and who
was forever thrusting either cuff back into its sleeve with his little
finger, surveyed him searchingly and critically from his crown to his
boots in the visible effort to make something of a social diagnosis of
him, to determine his civil and religious classification, and to assign
to him some definite place in their esteem, without, however, being
able to reach a satisfying result; wherefore they resolved upon a
moderate politeness. A waiter, a mild-mannered creature with light
blond strips of side-whiskers, a dress-coat shiny with age-, and
rosettes on his noiseless shoes, led him up two flights to a room
furnished neatly and patriarchally, whose window opened up in the
twilight a picturesque and medieval prospect of courts, gables, and the
bizarre masses of the church near which the hotel stood. Tonio Kröger
stood awhile at this window; then he seated himself with folded arms on
the rambling sofa, drew his eyebrows together, and whistled to himself.
Public-domain text, read in full here on John Shaqi.
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