The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"But you are right," said the young man; "God knows you are right about
melancholy. I am almost always melancholy, but especially on such
evenings as dis, when de stars are in de sky." And again he propped up
his chin on thumb and forefinger.
He undoubtedly writes verses, thought Tonio Kröger, merchant's verses
full of deeply honest feeling ...
The evening wore on, and the wind had now become so violent that it
interfered with conversation. So they resolved to sleep a little, and
wished each other good night.
Tonio Kröger stretched himself out on the narrow bunk in his cabin, but
he found no rest. The strong wind and its pungent aroma had agitated
him strangely, and his heart was restless as if in anxious expectation
of something sweet. And the shock to the ship which resulted when it r
slid down a steep wave-slope and the screw raced convulsively out of
water, caused him severe nausea. He dressed again completely and
mounted into the open air.
Clouds were racing past the moon. The sea was dancing. There were no
round and uniform waves coming on in order, but as far as one could
see, in the pale and flickering light, the sea was torn up, lashed and
stirred into fragments; its flamelike, gigantic tongues licked and
leaped into the air, beside foam-filled abysses it cast up jagged and
improbable forms, and seemed with the force of monstrous arms to hurl
the spume in mad playfulness to invisible heights. The ship had a
toilsome journey; crashing, rolling, and groaning it worked its way
through the commotion, and now and again one could hear the polar bear
and the tiger, who had suffered from the high sea, roaring in the hold.
A man in an oilskin cape, the hood drawn over his head, and a lantern
buckled about his body, was walking spread-legged up and down the deck,
balancing with difficulty. But there at the stern, bending low over the
rail, stood the young man from Hamburg, taking it very hard indeed.
"Good heavens," he said in a hollow and faltering voice, as he became
aware of Tonio Kröger, "just see de tumult of de elements, sir." But
then he was interrupted and turned hastily away.
Tonio Kröger held on to some taut cable and looked out into all this
uncontrollable exuberance. An exultation winged its way upward within
him, and it seemed to him powerful enough to drown out both tempest and
flood. A song to the sea, inspired by love, rang out within him. Wild
comrade of my youth's delight, once more our spirits now unite ... But
then the poem was at an end. It was not completed, was not rounded off,
not welded calmly into a unified whole. His heart was alive ...
Long he stood thus; then he stretched out on a bench near the
deck-cabin and looked up at the sky in which the stars were flickering.
He even slumbered a little. And when the cold spray flew into his face,
it seemed in his half wakeful state like a caress.
Public-domain text, read in full here on John Shaqi.
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