The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The old woman obeyed, and brought in the soup, but her hands and knees
were trembling. She meant to hurry over to the village herself
afterward, to see what had become of the boy.
Meanwhile the smith had lighted the lamp on the table. He sat down at
his own place. The red light of the lamp shone on his black woolly
head. Just then footsteps were heard on the outer stairs.
Katharine ran out to the landing. "Boy," she called out in the
darkness.
"Yes!" came the answer. He was there. Slowly he came up the steps. His
heavy shoes usually made no noise, for he stepped very lightly. They
clattered now, as if he were stumbling. The maid lifted up the light.
"Jesus Christ!" she exclaimed.
The boy's face was as white as snow, his clothes were torn and in
disorder, but even now they were noticeably clean.
"What has happened to you," asked the maid, quickly and anxiously.
Instead of answering, the boy asked whether his father was in the room.
"Yes, yes," she answered, and opened the door for him herself. With
uncertain steps, as if feeling his way, the boy walked in. He was now
thirteen years old, and both slender and strong.
"Well!" asked Stephen Fausch, taking a spoonful of soup.
Cain stepped forward into the ruddy light of the lamp. His pallor
showed strikingly in the light; his eyes seemed to glow and looked very
dark.
"We had a fight," he began in a breathless tone, as if he had but just
shaken off a couple of his enemies. "And then I stayed in the woods a
long time."
Katharine stood in the doorway, leaning forward to hear what would
happen next. Fausch looked sharply at the boy. "Tell me about it," said
he. As he spoke, it seemed as if Cain's appearance caught his eye more
than ever.
"The other boys have been telling me why I am named Cain," he gasped
out. He took hold of the back of a chair and looked Stephen in the
face. It was not hard to see that something had stirred him to the
depths. "They say it is because my mother was a bad woman," he went on.
"But--then--I--I cannot help what my mother did--"
"Eat your supper now," said Stephen Fausch.
Cain did not hear. "I thought it over a long time in the woods," he
went on in short, broken phrases. "If I am such a shameful creature--I
must have done something--but--I--"
Suddenly he was quite overcome. He threw himself down with his head and
shoulders on the table and wept. He looked up once. "Why must I have
that name, Father? Can't I have a name like other people's?"
Stephen had laid down his spoon. He made a grimace, as if he did not
know what to say. Then he swore, and then he growled: "They had better
leave you alone, the vermin."
Cain regained his self-control now. He dried his eyes. Then he stood up
once more by the table, slender and pale. "Whether they are talking
impudence to me or not," said he in a low tone, "it always seems to me
as if they are pointing their fingers at me. It is like that wherever I
go."
Public-domain text, read in full here on John Shaqi.
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