The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Do I love you? For heaven's sake, would not any one love anything so
young and wonderful when he sees it and feels it? What do you think?
Skin and hair with the scent of May in them!"
She freed herself from his arms and walked silently by his side for a
little way. "Do you love me?" she asked again, as shaken and
distraught as he was. "Do you know me? Do you know what I want in
life?"
"You want me!" he said passionately.
She wanted to speak, she tried--tried--tried, but her excitement was
too great. "Do you wish to be my friend?" she said at last, anxiously.
"Yes--of course I do!" he answered.
"Will you teach me how to think? I want to be as much alive as you
are."
"Silly child!" He would have taken her in his arms again; but she kept
him off with passionate refusal.
"I love you because you are different from the others, and so that you
may speak to me as to a friend, as to a human being."
"And don't I, then?"
"I don't want to live my life asleep all the time, do you hear?"
"What a strange little woman-thing you are! There's a time for kissing,
and a time for everything, you babe!"
"Life is what I long for!" she cried, trembling with the uncertainty of
what it was she wanted.
"Life? Love _is_ life!"
"No, no! To understand--that is life. If I join my life to yours, I
want to be alive, and not dead and dumb as my mother was."
"You have queer notions. Do you suppose, then, that people can learn
how to think as they learn any other trade f I tell you, what you've
got to do is to love life--I'll make it my business to see that you
love it!"
"I shouldn't like to be cast off," she said with a kind of bitterness,
"when you thought I was no longer beautiful. I should run away from you
if you deceived me and were no longer my friend."
"All right," he said, laughing. So they walked along close together,
and he kept his arm tightly about her waist. "Bound," he said, "you
will walk more freely and happily than unbound. Everything is not what
it seems to be. You catch sight of a thought or a feeling, and you
imagine it is as simple and as limited as a point. You come closer to
it, and you find it grows, it turns into a garden with all sorts of
walks and labyrinths. You walk about in it and are astonished. Then
under your very feet it changes to a wilderness full of precipices and
impenetrable thickets. The wilderness grows to a world, which you can
never see the whole of and never come to the end of. All things are
included in this world, all things and everything.
"It is very much less trouble to take things as simply and smoothly as
most people do than to try to move huge blocks of thought. Thinking is
like drinking--a man easily falls into it, if the shoe pinches
anywhere. And what does he get out of it? An endless struggle with
headaches. He's got to be a hero to keep it up. Do you think you'd ever
get used to drinking?"
"I don't think so," laughed the girl.
Public-domain text, read in full here on John Shaqi.
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