The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
General
The German Classics of the Nineteenth and Twentieth Centuries: Masterpieces of German Literature Vol. 19
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The Raven-mother was grumbling because this evening she had all the
labor of preparing supper; but the table under the trees was spread,
and old Sperber, who came to see how they were getting on, announced
that he would provide a punch.
The Kirsten girls and their friends brought the wine from the Sperber
farm and worked reverently and busily at the brewing of the punch. When
it mingled its fragrance with the perfume of the young foliage and the
blooming lilacs, the mood of the assemblage was a. festive one. The
girls began to sip and to laugh, the young men became more lively, old
Sperber nursed his glass lovingly with both hands, as if to caress the
soft golden liquor. The engraver drank not in a festive manner, but in
the measured yet not ungenerous fashion to which he was used at his inn
among his accustomed companions. It was not such an extraordinary
occasion to him as it was to the rather sober-minded guests here. They
were frugal people; the Sperbers and the Weimar folks were in the habit
of drinking of an evening the honest home-brewed stuff that was brought
in open pails from the town hall and then bottled.
The engraver held his glass in his hand and gazed into it. "On my way
to this Promised Land of yours," he said, "I sat in a village tavern
and drank the wretched beer they gave me. In came a miserable old
woman, worn with age and sorrow, and touched me on the shoulder,
saying, 'Give me a sup, for Christ's sake!' 'Here, old girl!' I said,
and gave her my glass. She sat down and drained it to the last drop;
then she looked up at me with her big old eyes and said, 'Now I have
drunk your cup of sorrow!'"
The engraver was silent; the others stared at him. "My hat comes
off to that word!" he said, and seemed to sink into himself. "That was
the greatest word of love that I ever heard in my life. Amen." The
young folks burst out laughing; old Sperber still caressed his glass,
and looked half-mockingly at the stranger. But he went on: "All the
church-bells ought to have been rung when the old woman said, 'Now I
have drunk your cup of sorrow!' People should have rushed out of their
houses to see what was happening--they should have cried, 'Hosanna!'
Does no one understand the immeasurable depth of such poverty and
goodness! I fell on my knees before the old woman, I kissed the
tattered hem of her garments--and she ... spat in my face! Amen. And
the meaning of it all is--that no one knows what he says and does in
this world, neither in the highest sense nor in the lowest. They utter
oracles like the gods, and understand nothing of them. They are angry
with each other, and know not why. A world of dreams ... Here's to your
good health!" And he raised his glass and drank.
"A positive fool!" whispered old Sperber to his neighbor. "Why can't he
talk like other people!" And the same sentiment might have been read in
the glances of the rest.
Public-domain text, read in full here on John Shaqi.
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