The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Before doing anything else, he fulfilled his promise of showing the
ladies the various imitations of, and designs from, old monuments,
vases, and other such things which he had made, and when they came to
speak of the simple barrow-sepulchres of the northern nations, he
brought a collection of weapons and implements which had been found in
them. He had got them exceedingly nicely and conveniently arranged in
drawers and compartments, laid on boards cut to fit them, and covered
over with cloth; so that these solemn old things, in the way he treated
them, had a smart dressy appearance, and it was like looking into the
box of a trinket merchant.
Having once begun to show his curiosities, and finding them prove
serviceable to entertain our friends in their loneliness, every evening
he would produce one or other of his treasures. They were most of them
of German origin--pieces of metal, old coins, seals, and such like. All
these things directed the imagination back upon old times; and when at
last they came to amuse themselves with the first specimens of printing,
woodcuts, and the earliest copper-plate engraving, and when the church,
in the same spirit, was growing out, every day, more and more in form
and color like the past, they had almost to ask themselves whether they
really were living in a modern time, whether it were not a dream, that
manners, customs, modes of life, and convictions were all really so
changed.
After such preparation, a great portfolio, which at last he produced,
had the best possible effect. It contained indeed principally only
outlines and figures, but as these had been traced upon original
pictures, they retained perfectly their ancient character, and most
captivating indeed this character was to the spectators. All the figures
breathed only the purest feeling; every one, if not noble, at any rate
was good; cheerful composure, ready recognition of One above us, to whom
all reverence is due; silent devotion, in love and tranquil expectation,
was expressed on every face, on every gesture. The old bald-headed man,
the curly-pated boy, the light-hearted youth, the earnest man, the
glorified saint, the angel hovering in the air, all seemed happy in an
innocent, satisfied, pious expectation. The commonest object had a trait
of celestial life; and every nature seemed adapted to the service of
God, and to be, in some way or other, employed upon it.
Toward such a region most of them gazed as toward a vanished golden age,
or on some lost paradise; only perhaps Ottilie had a chance of finding
herself among beings of her own nature. Who could offer any proposition
when the Architect asked to be allowed to paint the spaces between the
arches and the walls of the chapel in the style of these old pictures
and thereby leave his own distinct memorial at a place where life had
gone so pleasantly with him?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account