The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The conflict of the old, the existing, the continuing, with development,
improvement and reform, is always the same. Order of every kind turns at
last to pedantry, and to get rid of the one, people destroy the other;
and so it goes on for a while, until people perceive that order must be
established anew. Classicism and Romanticism; close corporations and
freedom of trade; the maintenance of large estates and the division of
the land--it is always the same conflict which ends by producing a new
one. The best policy of those in power would be so to moderate this
conflict as to let it right itself without the destruction of either
element. But this has not been granted to men, and it seems not to be
the will of God.
A great work limits us for the moment, because we feel it above our
powers; and only in so far as we afterward incorporate it with our
culture, and make it part of our mind and heart, does it become a dear
and worthy object.
There are many things in the world that are at once good and excellent,
but they do not come into contact.
When men have to do with women, they get spun off like a distaff.
It may well be that a man is at times horribly threshed by misfortunes,
public and private: but the reckless flail of Fate, when it beats the
rich sheaves, crushes only the straw; and the corn feels nothing of it
and dances merrily on the floor, careless whether its way is to the mill
or the furrow.
In the matter of knowledge, it has happened to me as to one who rises
early and in the dark impatiently awaits the dawn and then the sun, but
is blinded when it appears.
People often say to themselves in life that they should avoid a variety
of occupation, and, more particularly, be the less willing to enter upon
new work the older they grow. But it is easy to talk, easy to give
advice to oneself and others. To grow old is itself to enter upon a new
business; all the circumstances change, and a man must either cease
acting altogether, or willingly and consciously take over the new rôle.
To live in a great idea means to treat the impossible as though it were
possible. It is just the same with a strong character; and when an idea
and a character meet, things arise which fill the world with wonder for
thousands of years.
Napoleon lived wholly in a great idea, but he was unable to take
conscious hold of it. After utterly disavowing all ideals and denying
them any reality, he zealously strove to realize them. His clear,
incorruptible intellect could not, however, tolerate such a perpetual
conflict within; and there is much value in the thoughts which he was
compelled, as it were, to utter, and which are expressed very peculiarly
and with much charm.
Man is placed as a real being in the midst of a real world, and endowed
with such organs that he can perceive and produce the real and also the
possible.
Public-domain text, read in full here on John Shaqi.
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