The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 02: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The effect made itself felt immediately on the entrance of the
new-comers. They were fresh from the fashionable world, as was to be
seen at once, in their dress, in their equipment, and in everything
about them; and they formed a contrast not a little striking with our
friends, their country style, and the vehement feelings which were at
work underneath among them. This, however, very soon disappeared in the
stream of past recollection and present interests, and a rapid, lively
conversation soon united them all. After a short time they again
separated. The ladies withdrew to their own apartments, and there found
amusement enough in the many things which they had to tell one another,
and in setting to work at the same time to examine the new fashions, the
spring dresses, bonnets, and such like; while the gentlemen were
employing themselves looking at the new traveling chariots, trotting out
the horses, and beginning at once to bargain and exchange.
They did not meet again till dinner; in the meantime they had changed
their dress. And here, too, the newly arrived pair showed to all
advantage. Everything they wore was new, and in a style which their
friends at the castle had never seen, and yet, being accustomed to it
themselves, it appeared perfectly natural and graceful.
The conversation was brilliant and well sustained, as, indeed, in the
company of such persons everything and nothing appears to interest. They
spoke in French that the attendants might not understand what they said,
and swept in happiest humor over all that was passing in the great or
the middle world. On one particular subject they remained, however,
longer than was desirable. It was occasioned by Charlotte asking after
one of her early friends, of whom she had to learn, with some distress,
that she was on the point of being separated from her husband.
"It is a melancholy thing," Charlotte said, "when we fancy our absent
friends are finally settled, when we believe persons very dear to us to
be provided for for life, suddenly to hear that their fortunes are cast
loose once more; that they have to strike into a fresh path of life, and
very likely a most insecure one."
"Indeed, my dear friend," the Count answered, "it is our own fault if we
allow ourselves to be surprised at such things. We please ourselves with
imagining matters of this earth, and particularly matrimonial
connections, as very enduring; and as concerns this last point, the
plays which we see over and over again help to mislead us; being, as
they are, so untrue to the course of the world. In a comedy we see a
marriage as the last aim of a desire which is hindered and crossed
through a number of acts, and at the instant when it is reached the
curtain falls, and the momentary satisfaction continues to ring on in
our ears. But in the world it is very different. The play goes on still
behind the scenes, and when the curtain rises again we may see and hear,
perhaps, little enough of the marriage."
Public-domain text, read in full here on John Shaqi.
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