The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
You are so extraordinarily clever, dearest Lucinda, that you have
doubtless long ere this begun to suspect that this is all nothing but
a beautiful dream. And so, alas, it is; and I should indeed feel very
disconsolate about it if I could not cherish the hope that at least a
part of it may soon be realized. The truth of the matter is this: Not
long ago I was standing by the window--how long I do not know, for
along with the other rules of reason and morality, I completely forgot
about the lapse of time. Well, I was standing by the window and
looking out into the open; the morning certainly deserves to be called
beautiful, the air is still and quite warm, and the verdure here
before me is fresh. And even as the wide land undulates in hills and
dales, so the calm, broad, silvery river winds along in great bends
and sweeps, until it and the lover's fantasy, cradled upon it like the
swan, pass away into the distance and lose themselves in the
immeasurable. My vision doubtless owes the grove and its southern
color-effect to the huge mass of flowers here beside me, among which I
see a large number of oranges. All the rest is readily explained by
psychology. It was an illusion, dear friend, all an illusion, all
except that, not long ago, I was standing, by the window and doing
nothing, and that I am now sitting here and doing something--something
which is perhaps little more than nothing, perhaps even less.
I had written thus far to you about the things I had said to myself,
when, in the midst of my tender thoughts and profound feelings about
the dramatic connection of our embraces, a coarse and unpleasant
occurrence interrupted me. I was just on the point of unfolding to you
in clear and precise periods the exact and straightforward history of
our frivolities and of my dulness. I was going to expound to you, step
by step, in accordance with natural laws, the misunderstandings that
attack the hidden centre of the loveliest existence, and to confess to
you the manifold effects of my awkwardness. I was about to describe
the apprenticeship of my manhood, a period which, taken as a whole or
in parts, I can never look back upon without a great deal of inward
amusement, a little melancholy, and considerable self-satisfaction.
Still, as a refined lover and writer, I will endeavor to refashion the
coarse occurrence and adapt it to my purpose. For me and for this
book, however, for my love of it and for its inner development, there
is no better adaptation of means to ends than this, namely, that right
at the start I begin by abolishing what we call orderly arrangement,
keep myself entirely aloof from it, frankly claiming and asserting the
right to a charming confusion. This is all the more necessary,
inasmuch as the material which our life and love offers to my spirit
and to my pen is so incessantly progressive and so inflexibly
systematic. If the form were also of that character, this, in its way,
Public-domain text, read in full here on John Shaqi.
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