The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Like a wise man of the East, I had fallen into a holy lethargy and
calm contemplation of the everlasting substances, more especially of
yours and mine. Greatness in repose, most people say, is the highest
aim of plastic art. And so, without any distinct purpose and without
any unseemly effort, I thought out and bodied forth our everlasting
substances in this dignified style. I looked back and saw how gentle
sleep overcame us in the midst of our embrace. Now and then one of us
would open an eye, smile at the sweet slumber of the other, and wake
up just enough to venture a jesting remark and a gentle caress. But
ere the wanton play thus begun was ended, we would both sink back into
the blissful lap of half-conscious self-forgetfulness.
With the greatest indignation I then thought of the bad men who would
abolish sleep. They have probably never slept, and likewise never
lived. Why are gods gods, except because they deliberately do nothing;
because they understand that art and are masters of it? And how the
poets, the sages and the saints strive to be like the gods, in that
respect as in others! How they vie with one another in praise of
solitude, of leisure, of liberal freedom from care and of inactivity!
And they are right in doing so; for everything that is good and
beautiful in life is already there and maintains itself by its own
strength. Why then this vague striving and pushing forward without
rest or goal? Can this storm and stress give form and nourishing juice
to the everliving plant of humankind, that grows and fashions itself
in quiet? This empty, restless activity is only a bad habit of the
north and brings nothing but ennui for oneself and for others. And
with what does it begin and end except with antipathy to the world in
general, which is now such a common feeling? Inexperienced vanity does
not suspect that it indicates only lack of reason and sense, but
regards it as a high-minded discontent with the universal ugliness of
the world and of life, of which it really has not yet the slightest
presentiment. It could not be otherwise; for industry and utility are
the death-angels which, with fiery swords, prevent the return of man
into Paradise. Only when composed and at ease in the holy calm of true
passivity can one think over his entire being and get a view of life
and the world.
Public-domain text, read in full here on John Shaqi.
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