The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Yes, but the incapability, I think, lies more in the friendship than
in you. Whatever you love at all, you love indivisibly; for instance,
a sweetheart or a baby. With you even a sisterly relation would assume
this character."
"You are right there."
"For you friendship is too many-sided and one-sided. It has to be
absolutely spiritual and have definite, fixed bounds. This boundedness
would, only in a more refined way, be just as fatal to your character
as would sheer sensuality without love. For society, on the other
hand, it is too serious, too profound, too holy."
"Cannot people, then, talk with each other regardless of whether they
are men or women?"
"That might make society rather serious. At best, it might form an
interesting club. You understand what I mean: it would be a great
gain, if people could talk freely, and were neither too wild nor yet
too stiff. The finest and best part would always be lacking--that
which is everywhere the spirit and soul of good society--namely, that
playing with love and that love of play which, without the finer
sense, easily degenerates into jocosity. And for that reason I defend
the ambiguities too."
"Do you do that in play or by way of joke?"
"No! No! I do it in all seriousness."
"But surely not as seriously and solemnly as Pauline and her lover?"
"Heaven forbid! I really believe they would ring the church-bell when
they embrace each other, if it were only proper. Oh, it is true, my
friend, man is naturally a serious animal. We must work against this
shameful and abominable propensity with all our strength, and attack
it from all sides. To that end ambiguities are also good, except that
they are so seldom ambiguous. When they are not and allow only one
interpretation, that is not immoral, it is only obtrusive and vulgar.
Frivolous talk must be spiritual and dainty and modest, so far as
possible; for the rest as wicked as you choose."
"That is well enough, but what place have your ambiguities in
society?"
"To keep the conversations fresh, just as salt keeps food fresh. The
question is not _why_ we say them, but _how_ we say them. It would be
rude indeed to talk with a charming lady as if she were a sexless
Amphibium. It is a duty and an obligation to allude constantly to what
she is and is going to be. It is really a comical situation,
considering how indelicate, stiff and guilty society is, to be an
innocent girl."
"That reminds me of the famous Buffo, who, while he was always making
others laugh, was so sad and solemn himself."
"Society is a chaos which can be brought into harmonious order only by
wit. If one does not jest and toy with the elements of passion, it
forms thick masses and darkens everything."
"Then there must be passion in the air here, for it is almost dark."
"Surely you have closed your eyes, lady of my heart! Otherwise the
light in them would brighten the whole room."
"I wonder, Julius, who is the more passionate, you or I?"
Public-domain text, read in full here on John Shaqi.
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