The French Revolution, Fichte's _Wissenschaftslehre_, and Goethe's _Wilhelm Meister_ are the three greatest tendencies of the age. Whoever is offended at this juxtaposition, and whoever can deem no revolution important which is not boisterous and material, has not yet risen to the broad and lofty viewpoint of the history of mankind. Even in our meagre histories of culture, which, for the most part, resemble a collection of variant readings accompanied by a running commentary the classical text of which has perished, many a little book of which the noisy rabble took scant notice in its day, plays a greater rôle than all that this rabble did. It is very one-sided and presumptuous to assert that there is only one Mediator. To the ideal Christian--and in this respect the unique Spinoza comes nearest to being one--everything ought to be a Mediator. He alone can be an artist who has a religion of his own, an original view of the infinite. It is a peculiar trait of humanity that it must exalt itself above humanity. Plato's philosophy is a worthy preface to the religion of the future. Man is free when he brings forth God or makes Him visible; and thereby he becomes immortal. The morality of a book lies not in its theme or in the relation of the writer to his public, but in the spirit of the treatment. If this breathes the full abundance of humanity, it is moral. If it is merely the work of an isolated power and art, it is not moral. He is an artist who has his centre within himself. He who lacks this must choose a definite leader and mediator outside himself--naturally, not forever, but only at the first. For without a living centre man cannot exist, and if he does not yet have it within himself he can seek it only in a human being, and only a human being and his centre can arouse and awaken the artist's own. NOVALIS (FRIEDRICH VON HARDENBERG) * * * * * THE STORY OF HYACINTH AND ROSEBLOSSOM From _The Novices at Saïs_ (1798) TRANSLATED BY LILLIE WINTER