The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
For the sake of heaven, do not disgrace me thus; why, the act
will be over directly. Just look, the king, too, is again calmed; take
an example from this great soul which certainly has more reason to be
vexed than you.
FISCHER.
More than we?
WIESENER (_to his neighbor_).
But I wonder why you are stamping? We
two like the play, do we not?
NEIGHBOR.
That's true too--absent-mindedly, because they're all doing
it. (_Claps with might and main._)
AUTHOR.
A few voices are still favorable to me, however. For pity, do
put up with my poor play; a rogue gives more than he has, and it will
be over soon, too. I am so confused and frightened that I can think
of nothing else to say to you.
ALL.
We want to hear nothing, know nothing.
AUTHOR (_raging, drags the peacemaker forward_).
The king is calmed,
now calm this raging flood too, if you can. (_Beside himself, rushes
off._)
[_The peacemaker plays on his bells, the stamping keeps time with the
melody; he motions; monkeys and bears appear and dance fondly around
him. Eagles and other birds. An eagle sits on the head of HINZE who is
very much afraid; two elephants, two lions. Ballet and singing._]
THE FOUR-FOOTED ANIMALS.
That sounds so beautiful!
THE BIRDS.
That sounds so lovely!
CHORUS TOGETHER.
Never have I seen or heard the like!
[_Hereupon an artistic quadrille is danced by all present, the king
and his court retinue are taken into the centre, HINZE and JACKPUDDING
not excluded; general applause. Laughter; people standing up in pit to
see better; several hats fall down from the gallery._]
THE PEACEMAKER (_sings during the ballet and the audience's general
expression of pleasure_).
Could only all good men
Soft bells like these discover
Each enemy would then
With ease be turned to lover.
And life without bad friends would be
All sweet and lovely harmony.
[_The curtain falls, all shout and applaud, the ballet is heard
awhile._]
INTERLUDE
WIESENER.
Splendid! Splendid!
NEIGHBOR.
Well, I'd certainly call that a heroic ballet.
WIESENER.
And so beautifully woven into the main plot!
LEUTNER.
Beautiful music!
FISCHER.
Divine!
SCHLOSS.
The ballet is the only redeeming feature of the play.
BÖTTICH.
I still keep on admiring the acting of the cat. In such
details one recognizes the great and experienced actor; for example,
as often as he took the rabbit out of the sack, he always lifted it by
the ears; that was not prescribed for him; I wonder whether you
noticed how the king grasped it at once by the body? But these animals
are held by the ears because that is where they can best bear it.
That's what I call a master!
MÜLLER.
That is a very fine explanation.
FISCHER (_aside_).
He himself ought to be lifted by the ears for it.
BÖTTICH.
And his terror when the eagle was sitting on his head! How he
did not even move for fear, did not stir or budge--it is beyond
description!
MÜLLER.
You go very deeply into the matter.
BÖTTICH.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account