The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 04: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The humdrum duties and the easy pleasures of garrison life had no
lasting charms for the future poet, who was as yet unconscious of his
latent power, but was restlessly reaching out for a wider and deeper
experience. We soon find him preparing himself, by energetic private
study, for the University; in April, 1799, against the wishes of his
family and his superior officers, he obtained a discharge from the
army and entered upon his brief course as a student in his native
city. He applied himself with laborious zeal to the mastery of a wide
range of subjects, and hastened, with pedantic gravity, to retail his
newly won learning to his sisters and a group of their friends. For
the time being, the impulse of self-expression took this didactic
turn, which is very prominent also in his correspondence. Within the
year he was betrothed to a member of this informal class, Wilhelmina
von Zenge, the daughter of an officer. The question of a career now
crowded out his interest in study; in August, 1800, as a step toward
the solution of this problem, Kleist returned to Berlin and secured a
modest appointment in the customs department. He found no more
satisfaction in the civil than in his former military service, and all
manner of vague plans, artistic, literary and academic, occupied his
mind. Intensive study of Kant's philosophy brought on an intellectual
crisis, in which the ardent student found himself bereft of his fond
hope of attaining to absolute truth. Meanwhile the romantic appeal of
Nature, first heeded on a trip to Würzburg, and the romantic lure of
travel, drew the dreamer irresistibly away from his desk. His sister
Ulrica accompanied him on a journey that began in April, 1801, and
brought them, by a devious route, to Paris in July. By this time
Kleist had become clearly conscious of his vocation; the strong
creative impulse that had hitherto bewildered him now found its proper
vent in poetic expression, and he felt himself dedicated to a literary
career. With characteristic secretiveness he kept hidden, even from
his sister, the drama at which he was quietly working.
Public-domain text, read in full here on John Shaqi.
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