The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Today," he said, "I will see whether fate can be bent. I'll fire only
when something comes within three paces of the muzzle, and then if I
should miss it, there would needs be magic in it."
Behind him was the forest, before him the low ground of the "Freemen's
Tribunal," with its large stones and trees, and over opposite the
solitary spot was shut in by yellow corn fields. In the tree-tops above
him the turtle-doves were cooing now and then a faint note, and through
the branches of the trees by the "Freemen's Tribunal" the wild
hawk-moths were beginning to whir with their red-green wings. Gradually
the ground in the forest also began to show signs of life. A hedgehog
crept sleepily through the underbrush; a little weasel dragged his
supple body forth from a crevice in the rocks no broader than a quill.
Little hares darted with cautious leaps out from the bushes, stopping in
front of each to crouch down and lay their ears back, until finally,
growing more brave, they mounted the ridge by the cornfield and danced
and played together, using their fore paws to strike one another in
sport. The Hunter took care not to disturb these little animals. Finally
a slender roe stepped out of the forest. Shrewdly thrusting its nose
into the wind and glancing around to the right and left out of its big
brown eyes, it stalked along on its delicate feet with an easy grace.
The gentle, wild, fleet animal now reached a point just opposite the
hidden Hunter's gun, and so close to him that he could hardly fail to
hit it. He was just about to pull the trigger when the deer took fright,
faced about in a different direction, and made a leap straight for the
tree behind which the Hunter was standing. His gun cracked, and the
animal, unwounded, made off with a series of mighty leaps into the
forest. But from amid the corn he heard a loud cry, and a few moments
afterwards a woman's form staggered out of the fields on a narrow path
which lay in the line of his aim. The Hunter threw down the gun and
rushed toward the form; when he saw who it was he nearly collapsed.
[Illustration: OSWALD. THE HUNTER _By Benjamin Vautier_]
It was the beautiful girl of the flower scene in the woods. He had
hit her instead of the roe! She was holding one hand over the region
between her shoulder and left breast, where the blood was gushing out
copiously beneath her kerchief. Her face was pale, and somewhat drawn,
though not distorted, by pain. She drew a deep breath three times and
then said with a soft, weak voice:
"God be praised! The wound can't be very dangerous, for I _can_ draw
breath, even though it hurts me. I will try," she continued, "to reach
the Oberhof, whither I was bound on this short-cut when I had to go and
meet with this accident. Give me your arm."
He had supported her only a few steps down the hill when she collapsed
and said:
Public-domain text, read in full here on John Shaqi.
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