The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
With an expression of unconcern on his face, like that of all the
principal persons of this ceremony, the bridegroom alighted from the
carriage. Some young people, his most intimate friends, followed him,
adorned with ribbons and bouquets. He slowly approached the bride, who
even now did not look up, but went on spinning and spinning. The first
bridesmaid then fastened the large bouquet of sage to the breast of his
wedding-jacket. The bridegroom accepted the bouquet without thanks, for
thanks were not included in the traditional routine. He silently
offered his hand to his father-in-law, then, just as silently, to his
bride, who thereupon arose and placed herself with the bridesmaids,
between the first and second and in front of the third.
In the meanwhile, the servants had carried the dowry to the wagon. The
scene assumed a rather wild aspect, for the people with the baggage, in
hurrying back and forth among the cooking-fires, kicked from its place
many a burning fagot which crackled and showered sparks in the very path
down which the bridal pair were to walk. After the loading of linen, the
flax, and the various pieces of wearing apparel, the bride, with the
three bridesmaids and the spinning wheel, which she carried herself,
took a seat in the carriage. The bridegroom sat down apart from her in
the back part of the vehicle, and the young fellows were obliged to
follow on foot, as the dowry occupied so much room that there was none
left for them. One of them made this the subject of traditional
facetious remarks, which he addressed to the Justice, who replied to
them with a smirk. He walked along behind the young men, and the Hunter
placed himself at his side. Thus two men walked together, who on this
day were cherishing the most radically opposed feelings. For the Justice
was thinking of nothing but the wedding, and the Hunter of anything but
the wedding, although his thoughts were hovering about the bridal
carriage.
Now let us allow the latter to drive slowly to the home of the
bridegroom, where already the entire wedding-company is waiting for
it--men, women, girls and youths from all the surrounding estates, in
addition to friends from the city, the Captain and the Collector. There
the carriage is unloaded. Meanwhile let us go on ahead to the church,
which, shaded by walnut-trees and wild chestnuts, stands on a green hill
in the centre of the entire community.
Inasmuch as it was the proper time, and as the people had already
gathered in the church, the Sexton began to play the customary "Battle
of Prague" on the organ. He knew but one prelude, and this was that
forgotten battle-hymn which perhaps a few elderly people will recollect
if I recall to their memories that the musical picture begins with the
advance of Ziethen's Hussars. From this march the Sexton managed to
swing over, with transitions which, to be sure, were not infrequently
rather bold, into the ordinary church melodies.
Public-domain text, read in full here on John Shaqi.
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