The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
All this time the aristocratic gentleman had remained in the pulpit,
while the Pastor stood before the altar, bowing to him with a friendly
smile. The gentleman, when he saw from his Ararat that the blows were
not meant for him, grew calm and dropped his arms. When it was quiet, he
asked the clergyman:
"For heaven's sake, Pastor, tell me what this furious scene meant; what
had the poor man done to his assailants?"
"Nothing, your Excellency," replied the Pastor who, notwithstanding the
dignity of the place, could hardly help laughing at the nobleman in the
pulpit. "This act of beating the bridegroom after the marriage ceremony
is an old, old custom which the people refuse to give up. They say that
it is intended to let the bridegroom feel how much blows hurt, so that
in the future he will not abuse his rights as a husband toward his
wife."
"Well, but that is certainly a most remarkable custom," mumbled his
Excellency, descending from the pulpit.
The Pastor received him very courteously below and conducted his
aristocratic acquaintance into the vestry, in order to let him outdoors
from there. The latter, who was still somewhat frightened, said that he
would have to think it over, whether or not he could take part in the
further proceedings of the ceremony. The clergyman, on the way to the
vestry, expressed profound regret that he had not been previously
advised of his Excellency's design, because he then would have been in a
position to inform him of the beating custom, and thus to avert so great
a fright and shock.
After both had departed, peace and silence reigned once more in the
church. It was a pretty little church, dainty and not too gay--a rich
benefactor had done a great deal for it. The ceiling was painted blue
with gold stars. The pulpit displayed some artistic carving and among
the tablets on the floor, which covered the tombs of former pastors,
there were even two or three of bronze. The pews were kept very tidy and
clean, and to that end the Justice had exerted his strong influence. A
beautiful cloth adorned the altar, above which rose a twisted column
painted to resemble marble.
The light fell brightly into the little church, the trees outside were
rustling, and now and then a gentle breeze coming in by a broken
window-pane stirred the white scarf with which the angel above the
baptismal font was decked, or the tinsel of the wreaths which, having
been taken from the coffins of the maidens who had died, were used to
decorate the surrounding pillars.
Public-domain text, read in full here on John Shaqi.
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