The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"But it is so with everything. It is too hard to think of all that one
puts off and loses, not duties to God and to man only, but pure
pleasures--those small innocent pleasures which are within one's grasp
every day!"
Madame Mozart could not or would not turn his thoughts into another
channel, and could only agree with him as he went on: "Have I ever been
able to have a whole hour of pleasure with my own children? Even they
can be only half enjoyed! The boys have one ride on my knee, chase me
once around the room, and stop. I must shake them off and go! I cannot
remember that we have had once a whole day in the country together, at
Easter or Whitsuntide, in garden or woods or meadows to grow young again
among the children and flowers. And meanwhile life is gradually slipping
and running and rushing away from us! Dear Lord! To think of it!"
With such self-reproach began a serious conversation. How sad that
Mozart, passionate as he was, keenly alive to all the beauties of the
world, and full of the highest aspirations, never knew peace and
contentment, in spite of all that he enjoyed and created
in his short life. The reason is easily found in those weaknesses,
apparently unconquerable, which were so large a part of his
character. The man's needs were many; his fondness for society
extraordinarily great. Honored and sought by all the families of
rank, he seldom refused an invitation to a fête or social gathering of
any sort. He had, besides, his own circle of friends whom he entertained
of a Sunday evening, and often at dinner at his own well-ordered table.
Occasionally, to the inconvenience of his wife, he would bring in
unexpected guests of diverse gifts, any one whom he might happen to
meet--amateurs, fellow-artists, singers, poets. An idle hanger-on whose
only merit lay in his companionable mood or in his jests, was as welcome
as a gifted connoisseur or a distinguished musician. But the greater
part of his recreation Mozart sought away from home. He was to be found
almost every afternoon at billiards in the Kaffeehaus, and many an
evening at the inn. He enjoyed both driving and riding, frequented balls
and masquerades--a finished dancer--and took part in popular
celebrations also, masquerading regularly on St. Bridget's Day as
Pierrot.
Public-domain text, read in full here on John Shaqi.
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