The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"One of the girls tossed from light fingers a couple of oranges; back
they came from fingers in the other boat, as light. On they went, back
and forth, and as one girl after another joined in the sport dozens of
oranges were soon flying through the air. Only one, the beauty in the
middle of the boat, took no part, except to look on, curiously, from
her comfortable couch. We could not sufficiently admire the skill on
both sides. The boats circled slowly about, turning now the prow, now
the sides, toward each other. There were about two dozen balls
continually in the air, yet they seemed many more, sometimes falling in
regular figures, sometimes rising high in lofty curves, almost never
going astray, but seeming to be attracted by some mysterious power in
the outstretched hands.
"The ear was quite as well entertained as the eye--with charming
melodies, Sicilian airs, dances, Saltorelli, _Canzoni a ballo_--a long
medley woven together like a garland. The youngest princess, an
impulsive little creature, about my own age, kept nodding her head in
time to the music. Her smile and her eyes with their long lashes I can
see to this day.
"Now let me briefly describe the rest of the entertainment, though it
has nothing to do with my affair in the garden. You could hardly imagine
anything prettier. The play with the balls gradually ceased, and then,
all of a sudden, one of the youths of the green colors drew out of the
water a net with which he seemed to have been playing. To the general
surprise, a huge shining fish lay in it. The boy's companions sprang to
seize it, but it slipped from their hands to the sea, as if it had
really been alive. This was only a ruse, however, to lure the red youths
from their boat; and they fell into the trap. They, as well as those of
the green, threw themselves into the water after the fish. So began a
lively and most amusing chase. At last the green swimmers, seeing their
opportunity, boarded the red boat, which now had only the maidens to
defend it. The noblest of the enemy, as handsome as a god, hastened
joyfully to the beautiful maiden, who received him with rapture,
heedless of the despairing shrieks of the others. All efforts of the red
to recover their boat were vain; they were beaten back with oars and
weapons. Their futile rage and struggles, the cries and prayers of the
maidens, the music--now changed in tone--the waters--all made a scene
beyond description, and the audience applauded wildly. Then suddenly the
sail was loosed, and out of it sprang to the bowsprit a rosy,
silver-winged boy, with bow and arrows and quiver; the oars began to
move, the sail filled, and the boat glided away, as if under the
guidance of the god, to a little island. Thither, after signals of truce
had been exchanged, the red youths hastened after boarding the deserted
boat. The unhappy maidens were released, but the fairest one of all
sailed away, of her own free will, with her lover. And that was the end
of the comedy."
Public-domain text, read in full here on John Shaqi.
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