The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 07: Masterpieces of German Literature Translated into English. in Twenty Volumes
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Here Madame Mozart passed over some circumstances in silence. It was not
unlikely that the Signora Malerbi (a woman with whom Frau Constanze had
good reason to be angry) would have gone also to this soirée. The young
Roman singer had, through Mozart's influence, obtained a place in the
opera, and without doubt her coquetry had assisted her in winning his
favor. Indeed, some gossips would have it that she had made a conquest
of him, and had kept him for months on the rack. However that may have
been, she conducted herself afterward in the most impertinent and
ungrateful manner, and even permitted herself to jest at the expense of
her benefactor. So it was quite like her to speak of Mozart to one of
her more fortunate admirers as _un piccolo grifo raso_ (a little
well-shaven pig). The comparison, worthy of a Circe, was the more
irritating because one must confess that it contained a grain of truth.
As Mozart was returning from this soirée (at which, as it happened, the
singer was not present), a somewhat excited friend was so indiscreet as
to repeat to him the spiteful remark. It was the more amazing to him
because it was the first unmistakable proof of the utter ingratitude of
his protegée. In his great indignation he did not notice the extreme
coolness of Frau Constanze's reception. Without stopping to take breath
he poured out his grievance, and well-nigh roused her pity; yet she held
conscientiously to her determination that he should not so easily escape
punishment. So when he awoke from a sound sleep shortly after noon, he
found neither wife nor children at home, and the table was spread for
him alone.
Ever since Mozart's marriage there had been little which could make him
so unhappy as any slight cloud between his better half and himself. If
he had only known how heavy an anxiety had burdened her during the past
few days! But, as usual, she had put off as long as possible the
unpleasant communication. Her money was now almost spent, and there was
no prospect that they should soon have more. Although Mozart did not
guess this state of affairs, yet his heart sank with discouragement and
uncertainty. He did not wish to eat; he could not stay in the house. He
dressed himself quickly, to go out into the air. On the table he left an
open note in Italian:
"You have taken a fair revenge, and treated me quite as I deserved.
But be kind and smile again when I come home, I beg you. I should like
to turn Carthusian or Trappist and make amends for my sins."
Then he took his hat, but not his cane--that had had its
day--and set off.
Since we have excused Frau Constanze from telling so much of her story
we may as well spare her a little longer. The good man sauntered along
past the market toward the armory--it was a warm, sunshiny, summer
afternoon--and slowly and thoughtfully crossed the Hof, and, turning to
the left, climbed the Mölkenbastei, thus avoiding the greetings of
several acquaintances who were just entering the town.
Public-domain text, read in full here on John Shaqi.
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