The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"She does not know that it is I," I thought; I took out my fiddle, and
promenaded to and fro on the path before the house and sang the song
of the Lady fair and played over all my songs that I had been wont
to play on lovely summer nights in the castle garden, or on the
bench before the toll-house so that the sound should reach the castle
windows. But it was all of no use; no one stirred in the entire house.
Then I put away my fiddle sadly, and seated myself upon the door-step,
for I was very weary with my long march. The night was warm; the
flower-beds before the house sent forth a delicious fragrance, and a
fountain somewhere in the depths of the garden plashed continuously. I
thought dreamily of azure flowers, of dim, green, lovely, lonely spots
where brooks were rippling and gay birds singing, until at last I fell
sound asleep.
When I awoke the fresh air of morning was playing over me; the birds
were already awake and twittering in the trees around, as if they were
making game of me. I started up and looked about; the fountain in
the garden was still playing, but nothing was to be heard within the
house. I peeped through the green blinds into one of the rooms, where
I could see a sofa and a large round table covered with gray linen.
The chairs were all standing against the wall in perfect order;
the blinds were down at all the windows, as if the house had been
uninhabited for example, with many a loving thought of my fair,
distant home.
Meanwhile, the painter had arranged near the window one of the frames
upon which a large piece of paper was stretched. An old hovel was
cleverly drawn in charcoal upon the paper, and within it sat the
Blessed Virgin with a lovely, happy face, upon which there was withal
a shade of melancholy. At her feet in a little nest of straw lay the
Infant Jesus--very lovely, with large serious eyes. Without, upon the
threshold of the open door were kneeling two shepherd lads with staff
and wallet. "You see," said the painter, "I am going to put your head
upon one of these shepherds, and so people will know your face and,
please God, take pleasure in it long after we are both under the sod,
and are ourselves kneeling happily before the Blessed Mother and her
Son like those shepherd lads." Then he seized an old chair, the back
of which came off in his hand as he lifted it. He soon fitted it into
its place again, however, pushed it in front of the frame, and I had
to sit down on it, and turn my face sideways to him. I sat thus
for some minutes perfectly still, without stirring. After a while,
however--I am sure I do not know why--I felt that I could endure it
no longer; every part of me began to twitch, and besides, there hung
directly in front of me a piece of broken looking-glass into which I
could not help glancing perpetually, making all sorts of grimaces from
sheer weariness. The painter, noticing this, burst into a laugh, and
waved his hand to signify that I might leave my chair. My face upon
Public-domain text, read in full here on John Shaqi.
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