The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
Philosophy
The German Classics of the Nineteenth and Twentieth Centuries, Volume 05: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The stars twinkled in the skies; the Square was quiet and deserted; I
listened with delight to the song of the Lady fair, as it mingled with
the ripple of the fountain. All at once I perceived a white figure
approach from the opposite side of the Square and go directly
toward the little garden door. I peered eagerly through the dazzling
moonlight--it was the queer painter in his white cloak. He drew forth
a key quickly, unlocked the door, and, before I knew it, was within
the garden.
I had from the first entertained a special dislike of this painter on
account of his nonsensical talk. But now I fell into a rage with him.
"The low fellow is certainly intoxicated again," I thought; "he has
got the key from the maid, and intends to surprise, and perhaps to
assault, the Lady fair." And I rushed precipitately through the low
door, which was still open, into the garden.
When I entered, all was quiet and lonely. The folding-doors of the
summer-house were open, and a ray of lamplight issuing from it played
upon the grass and flowers near. Even from a distance I could see the
interior. In a magnificent apartment, hung with green and partially
illumined by a lamp with a white shade, the lovely Lady fair with
her guitar was reclining on a silken lounge, never dreaming, in her
innocence, of the danger without.
I had not much time, however, to look, for I perceived the white
figure among the shrubbery, stealthily approaching the summer-house
from the opposite side, while the song floating on the air from the
house was so melancholy that it went to my very soul. I therefore took
no long time for reflection, but broke off a stout bough from a tree,
and rushed at the white-cloaked figure, shouting "Murder!" so that the
garden rang again.
The painter when he beheld me appear thus unexpectedly took to his
heels, screaming frightfully. I screamed louder still. He ran toward
the house, and I after him, and I had very nearly caught him, when I
became entangled in some plaguy trailing vines, and measured my length
upon the ground just before the front door.
"So it is you, is it, you fool!" I heard some one say above me. "You
frightened me nearly to death." I picked myself up, and when I had
wiped my eyes clear of dust, I saw before me the lady's-maid, from
whose shoulders the white cloak was just falling. "But," said I, in
confusion, "was not the painter here?" "He was," she replied, saucily;
"at least his cloak was, which he put around me when I met him at the
gate, because I was cold." The Lady fair, hearing the noise, sprang
up from the lounge and came out to us. My heart beat as if it would
burst; but what was my dismay when I looked at her, and instead of the
lovely Lady fair saw an entire stranger!
Public-domain text, read in full here on John Shaqi.
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