I will now review the separate branches of art at which Körner and Kleist have tried their hand. We find that they are lyric poetry, drama, and narrative. All three have to do with the representation of life, and if a division can be made it can only be based upon the various ways in which life is wont to manifest itself. Life manifests itself either as a reaction upon outward impressions, or lacking these, directly from within. When it works directly from within, we usually designate the form under which it appears as feeling. Feeling is the element of lyric poetry; the art of limiting and representing it makes the lyric poet. Let no one object that there are feelings enough which arise in consequence of outward impressions, and that these too have been expressed sufficiently often by the poets; I am very much inclined to distinguish between the results of these impressions and the feelings which well up from the depths of the soul in consecrated moments; and in any case, these alone are a worthy subject for the lyric poet; for only in them does the whole man actually live, they only are the product of his whole being. I hate examples because they are either make-shifts or will-o'-the-wisps, but here I must add that in Uhland's song, "A short while hence I dreamed," I find such a feeling expressed. The drama represents the thought which seeks to become a deed through action or suffering. The narrative is really not a pure form, but a combination of the lyric and dramatic elements,--a combination which differs from the drama in that it develops the outer life from the inner, whereas in the drama the inner proceeds from the outer.