The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
In the third act we find the Prince somewhat changed, but not to any
great extent. After thinking over the matter in solitude he has finally
grasped that the Elector could not allow the violation of his express
command to pass without some sort of punishment. But is it not
sufficient punishment for him to have spent some days in prison, and
does he not, moreover, deserve a reward because he entered it
voluntarily and did not strangle the jailer? Therefore he knows
positively that the first person to visit him will announce that he is
free, and when his friend Hohenzollern enters his cell, he exclaims
"Well, then, I'm free of my imprisonment." But when the latter examines
his position with very different eyes, when, by producing a series of
threatening facts each one more ominous than the other, he gradually
silences the Prince's emotion, which demonstrates exactly what the
Elector can do and what he cannot do, when he even tells him at last
that the death warrant is about to be brought for signature to the
Elector's cabinet, the Prince finally loses his foolish feeling of
security, and then of course he goes to the opposite extreme. Nay, when
the anxious Hohenzollern further informs him that the Swedish
ambassador, who has arrived on the occasion of the peace negotiations,
would ask the hand of the Princess of Orange for his master, but that
the Princess seems to have made her choice already and thus is
apparently thwarting the Elector's plan, and when he asks the Prince if
he is not in some way tangled up in all this, the latter cries out
despairingly "I am lost," and hurries off to the Electress to entreat
her to intervene in his behalf.
Public-domain text, read in full here on John Shaqi.
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