The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Good-night. You need not wait for me tomorrow when you are going to your
uncle. Perhaps I shall have gone out by that time. I have an errand;
don't know whether I shall come back tomorrow. And take Nero along--and
whatever else is there; take everything along. I no longer need
anything--but my tools, my short rifle and--powder and bullets. The
other rifles you may sell. Go to Wilkens, you poor thing, he perhaps
will get Robert for you yet--after I have gone; after people have once
forgotten that your father was a dismissed man.
MARY.
Good-night.
[_Beside herself_.]
Good-night, father!
FORESTER.
Wench, that is a good-night as if forever.--You are right, Mary. Such a
stain as I am upon your good reputation must be removed. Go, Mary. Do
you hear, Mary?
MARY.
You shall remain, father. And if you go, I go with you.
FORESTER.
The way I have to go one goes alone. Go, Mary.
SOPHY.
Go to bed, Mary.
FORESTER.
Good-night. And now it's enough. You know I cannot bear lamentations.
MARY.
You are not going without me, father. You cannot live without me,
father. Father, I now feel that in my heart.
FORESTER (_protesting_).
Yes, I can. What doesn't such a greenhorn feel!
MARY.
You turn away, father, so that I should not see you crying. Father,
pretend you are ferocious, as much as you like--
FORESTER (_wants to disengage himself_).
Silly thing there--
MARY.
I am going with you. You insist upon your right, and I upon mine, and
that is, that I must not leave you. Father, I feel now for the first
time that I love no one in the world as much as you. Tomorrow we go
together--if you must go. I am going to put on William's clothes. There
are still green forests in the world. And surely you shall not hear me
complaining. Don't be afraid of that. Why, I can cry during the nights,
when you don't see it. But then you will see it by my eyes in the
daytime. Why, I must not cry at all! I will only laugh and skip along
before you and sing--the beautiful hunting songs.--You see, father, this
is the last tear for Robert! And it is already dried, do you see? I am
sure that we shall still find happiness in this world--if you must go,
father. And if it is not to be, we will thank God and pray, if He only
keeps us honest. Then we will think: It is asking too much, if we also
wish to be happy. Have I not you? Have not you your good conscience and
your Mary? What more do we need?
[_Hanging on his neck_.]
FORESTER (_who has been warding her off constantly, almost furious,
because he can scarcely control his emotion_).
Indeed, indeed! Stupid thing!
[_More calmly_.]
And a "table--spread--thyself," a "gold--mule--stretch-thyself," and the
fairy-story is complete. Now go to bed, Mary.
[_Roughly_.]
Do you hear?
SOPHY.
Come, Mary.
MARY (_at the door of her room she looks around, and runs again to him;
embracing him, beside herself_).
Good-night, good-night!
[_She hurries to her room;_ SOPHY _follows_.]
FORESTER (_looking after her_).
Public-domain text, read in full here on John Shaqi.
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