The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 09: Friedrich Hebbel and Otto Ludwig
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
has built the scaffold, he knows that it is firm; he knows that his
heart is strong and his tread sure. He does not look down where the
earth holds out her green arms luringly, he does not look up where
from the procession of clouds in the sky the fatal giddiness may drop
down on his steady eye. The centre of the rungs is the pathway of his
glance, and he stands on top. No heaven exists for him, no earth,
nothing but the broach-post and the ladder which he ties together with
his rope. The knot is made; the spectators breathe with relief and
give utterance in all the streets to their admiration for the daring
man and his doings high up between heaven and earth. For a week the
children of the town play at being slaters.
But now the daring man begins his work indeed. He fetches up another
rope and lays it as a rotary ring round the post below the pommel of
the steeple. To this he fastens his tackle with three blocks, to the
tackle the rings of his hanging seat. A board to sit on with two
places cut out to allow his legs to hang down, and with a low, curved
back, on either side boxes for slates, nails and tools; in front,
between the places for his legs, a little anvil on which he hammers
the slate to the shape he wants it with his slater's hammer; this
apparatus, held by four strong cables which unite above to form two
rings for the hooks of the tackle, is the hanging-seat as he calls it,
the light craft in which he sails round the roof of the steeple high
in the air. By means of the tackle he easily pulls himself up or lets
himself down as high or as low as he likes; the ring above turns round
the steeple with the tackle and hanging-seat in whichever direction he
desires. A gentle kick against the roof sets the whole in motion, for
him to stop where he pleases. Soon no one stands below any longer
looking up; the slater at work is no longer any novelty. The children
turn again to their old games. The jackdaws grow accustomed to him;
they regard him as a bird, like themselves, only bigger, but
peaceful, as they are; and the clouds in the sky have never troubled
themselves about him from the beginning. The ladies envy him his view.
Who can look out so freely across the green plain and see how
mountains range themselves behind mountains, first green, then growing
bluer and bluer to where the sky, even bluer than they, rests on the
last ones! But he troubles himself as little about the mountains as
the clouds trouble themselves about him. Day after day he works on
with iron and claw-hammer, day after day he hammers slates and drives
in nails, till he is done with hammering and nailing. One day man,
tackle, ladder and scaffolding have disappeared. The removal of the
ladder is just as dangerous as its setting up; but no one below folds
his hands, no mouth extols the achievement of the man between heaven
and earth. The crows wonder for a whole week and then it seems to them
as if years ago they had dreamt of some odd bird. Far below the tumult
Public-domain text, read in full here on John Shaqi.
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