The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
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The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
_Enter_ ADELAIDE _and_ KORB _through the door on the right_.
ADELAIDE (_to_ KORB).
You had better remain near the garden gate, and when the said young
man comes bring him to us.
[_Exit_ KORB.]
Good-morning, Colonel.
[_Going up to him and examining him gaily_.]
How is the weather today?
COLONEL.
Gray, girl, gray and stormy. Vexation and grief are buzzing round in
my head until it is fit to burst. How is the child?
ADELAIDE.
Better. She was wise enough to fall asleep toward morning. Now she is
sad, but calm.
COLONEL.
This very calmness annoys me. If she would only once shriek and tear
her hair a bit! It would be horrible, but there would be something
natural about it. It is this smiling and then turning away to dry
secret tears that makes me lose my composure. It is unnatural in my
child.
ADELAIDE.
Possibly she knows her father's kind heart better than he does
himself; possibly she still has hopes.
COLONEL.
Of what? Of a reconciliation with him? After what has happened a
reconciliation between Oldendorf and myself is out of the question.
ADELAIDE (_aside_).
I wonder if he wants me to contradict him!
_Enter_ KORB.
KORB (_to_ ADELAIDE).
The gentleman has come.
ADELAIDE.
I will ring.
[_Exit_ KORB.]
Help me out of a little dilemma. I have to speak with a strange young
man who seems in need of help, and I should like to have you stay near
me.--May I leave this door open?
[_Points to the door on the left_.]
COLONEL.
That means, I suppose, in plain English, that I
am to go in there?
ADELAIDE.
I beg it of you--just for five minutes.
COLONEL.
Very well--if only I don't have to listen.
ADELAIDE.
I do not require it; but you will listen all the
same if the conversation happens to interest you.
COLONEL (_smiling_).
In that case I shall come out.
[_Exit to the left_; ADELAIDE _rings_.]
_Enter_ SCHMOCK. KORB _also appears at the entrance, but quickly
withdraws_.
SCHMOCK (_with a bow_).
I wish you a good-morning. Are you the lady who sent me her secretary?
ADELAIDE.
Yes. You said you wished to speak to me personally.
SCHMOCK.
Why should the secretary know about it if I want to tell you
something? Here are the notes that Senden wrote and that I found in
the paper-basket of the _Coriolanus_. Look them over, and see if they
will be of use to the Colonel. What can I do with them? There's
nothing to be done with them.
ADELAIDE (_looking through them, reading, in an aside_).
"Here I send you the wretched specimens of style, etc." Incautious and
very low-minded! [_Lays them on the table. Aloud_.] At any rate these
unimportant notes are better off in my paper-basket than in any one
else's. And what, sir, induces you to confide in me?
[Illustration: _Permission Union Deutsch um Vellagssesellsckaft
Stuttgart_. LUNCH BUFFET AT KISSENGEN ADOLPH VON MENZEL. ]
SCHMOCK.
Public-domain text, read in full here on John Shaqi.
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