The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The door into the vestibule opened behind her; only more intimate
friends entered this room, her room, when there were small parties; the
one who entered must be either Ottomar or the Count. She had not heard
anything, but, as the steps approached over the rug, she passed her
fingers dreamily over the piano: "The Grail is already sending for the
tardy one----"
"My dear Miss Carla!"
"O dear Count!" said Carla, glancing up and extending her left hand
half over her shoulder to the Count, while her right played "My Dear
Swan." "Don't you want to say good-day to Luise? She is with Madame von
Arnfeld in the reception room."
The Count had drawn the hand extended to him so carelessly to his
lips.--"And then?" asked he.
"You may come back here--I have something to tell you."
The Count came back in half a minute.
"Bring up your chair--not so near--so--and don't be disturbed by my
drumming.--Do you know, dear Count, that you are a dangerous man?"
"But, my dear lady!" exclaimed the Count, twirling the ends of his
mustache.
"You must be, if Luise thinks so. She has just given me a most charming
curtain lecture."
"Great Heavens! What shall I do! Everybody worships you! Why shouldn't
I be allowed to do what everybody does?"
"Because you are not everybody, because"--Carla raised her eyes; the
Count was always as if intoxicated when he was permitted, unhindered
by the lorgnette, to look into those blue eyes, beneath whose languid
drooping lids a mysterious world of tenderness and coyness seemed to be
hidden.
"Because I came too late?" he whispered passionately.
"One must not come too late, dear Count; that is the worst mistake
in war, politics, everywhere. You must bear the consequences of this
mistake--_voilà tout!_"
She played: "Only one year at thy side could I have wished to be, as
witness of thy joy."--The Count gazed before him in silence.--"He
is taking that seriously," thought Carla; "I must give him a little
encouragement again."
"Why shouldn't we be friends?" she asked, extending her left hand while
the right intoned: "Come dwell with me! Let me teach thee how sweet is
the bliss of purest love!"
"Gladly, gladly!" exclaimed the Count, pressing a long, fervent kiss
upon the extended hand. "Why shouldn't we be friends!"
"Isn't it true?--'Friendship of pure souls is so sweet!' But the world
is not pure; it likes to besmirch that which shines; it demands,
guarantees; give it the only possible lead in this case; get married!"
"And you advise me to do that?"
"I do; I shall have an incalculable advantage from it; I shall not lose
you altogether. I cannot ask more; I do not ask more."
And Carla played with both hands: "Let thyself be made to believe there
is a joy that hath no pang!"
"Great Heavens, Carla--my dear lady, do you know that something like
that, in almost the same words----"
Public-domain text, read in full here on John Shaqi.
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