The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Gradually the summer went by; the birds of passage had passed through,
the air was empty of the song of the larks; only in front of the barns
where they picked up grains of corn, while the threshing was going on,
occasionally one or two could be heard as they flew away screeching;
everything was already hard frozen. In the kitchen of the main house
old Trien' Jans sat one afternoon on the wooden step of a stairway that
led up from beside the range to the attic. During the last few weeks it
seemed as if she had returned to life; she came gladly into the kitchen
sometimes, and saw Elke at work there; there could no longer be any
question of her legs not being able to carry her there, since one day
when little Wienke had pulled her up there by her apron. Now the child
knelt at her side and looked with her quiet eyes into the flames that
flickered up out of the stove-hole. One of her little hands clasped the
sleeve of the old woman, the other lay in her own pale blonde hair.
Trien' Jans was telling a story: "You know," she said, "I was in your
great grandfather's service as a housemaid and then I had to feed the
pigs; he was cleverer than them all--then, it is terribly long ago, but
one evening, the moon was shining and they closed the outer sluice and
she could not get back into the sea. Oh, how she screamed and tore her
hard shaggy hair with her little fish-hands! Yes, child, I saw it and
heard her screaming myself! The ditches between the fens were all full
of water and the moon shining on them made them sparkle like silver and
she swam from one ditch into the other and lifted her arms and struck
what were her hands together so that you could hear it a long way off,
as if she wanted to pray; but, child, those creatures cannot pray. I
was sitting in front of the door on a few beams that had been brought
up there to be used in building, and looking far out across the fens;
and the water-woman still swam in the ditches, and when she raised her
arms they too glittered like silver and diamonds. At last I did not
see her any more and the wild geese and gulls that I had not heard the
whole time began to fly through the air again, hissing and cackling."
The old woman ceased; the child had caught up one word. "Could not
pray?" she asked. "What do you say? Who was it?"
"Child," said the old woman, "it was the water-woman; those are
accursed creatures who can never be saved."
"Never be saved," repeated the child and her little breast heaved with
a deep sigh as if she had understood that.
"Trien' Jans," came a deep voice from the kitchen door and she started
slightly. It was the dikegrave Hauke Haien who was leaning there
against the post. "What are you saying to the child? Haven't I told you
to keep your legends to yourself or to tell them to the geese and hens?"
The old woman looked at him with an angry glance and pushed the little
girl away from her: "Those are no legends," she murmured half to
herself, "my great-uncle told me that."
Public-domain text, read in full here on John Shaqi.
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