The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
On the following morning as he came out onto the dike he saw a
different world from the one he had found the day before; it was indeed
low tide again but the day was growing and the rays from the bright
spring sun fell almost perpendicularly on the shallows which extended
as far as the eye could reach; the white gulls glided calmly hither
and thither and, invisible above them, high under the azure sky the
larks sang their eternal melody. Hauke, who did not know how nature
can deceive us with her charm, stood on the northwest corner of the
dike and sought the new bed of the water-course which had given him
such a shock the day before; but with the sunlight darting directly
down from the zenith he could not even find it at first; not until he
shaded his eyes with his hand from the dazzling rays did it show itself
unmistakably. Nevertheless the shadows in the dusk of the evening
before must have deceived him; it was outlined but very weakly now; the
mouse-passages that had been laid bare must have been more responsible
for the damage done to the dike than the tide. To be sure, it must be
changed; but by careful digging and, as Ole Peters had said, by fresh
sodding and a few rods of straw work the damage could be repaired.
"It wasn't so bad, after all," he said to himself with relief, "you
made a fool of yourself yesterday!" He called the commissioners
together and the work was decided upon, for the first time without any
objection being raised. The dikegrave thought he felt a strengthening
calm spreading through his still weakened body; and in a few weeks
everything was neatly carried out.
Public-domain text, read in full here on John Shaqi.
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