The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
At the foot of the bed crouched little Wienke and held her father's
hand tightly in one of hers as he stood close by. Death was just
engraving the Hippocratic face on the dying woman and the child stared
breathlessly at the uncanny, incomprehensible change in the plain
countenance with which she was so familiar. "What is she doing? What is
it, Father?" she whispered fearfully and dug her finger nails into her
father's hand.
"She is dying," said the dikegrave.
"Dying," repeated the child and seemed to fall into confused thought.
But the old woman moved her lips once more: "Jins! Jins!" a shrill cry
of distress broke from her and she stretched out her bony arms towards
the reflection of the sea that glistened outside: "Help me! Help me!
You are above the water. * * * God have mercy on the others!"
Her arms sank, there was a slight cracking of the bedstead; she had
ceased to live.
The child drew a deep sigh and raised her pale eyes to her father: "Is
she still dying?" she asked.
"She has finished!" said the dikegrave, and took the child in his arms.
"She is far away from us now, with God."
"With God," repeated the child and was silent for a while as if she
were thinking over the words. "Is it good to be with God?"
"Yes, best of all." But in Hauke's heart the dying woman's last words
tolled heavily. "God have mercy on the others!"--the words sounded
softly within him. What did the old witch mean? Can the dying prophesy?
Soon, after Trien' Jans had been buried up by the church, there began
to be ever louder talk of all kinds of misfortune and curious vermin
that were said to have frightened the people in northern Friesland. And
it was certain that on the Sunday in Mid-Lent the golden cock had been
thrown down from the top of the tower by a whirlwind; and it was true
too that in midsummer a shower of large insects fell from heaven like
snow so that it was impossible to open one's eyes and they lay nearly
as high as a hand on the fens and no one had ever seen anything like
it. But after the end of September when the head-man and the maid Ann
Grete came back from town where they had driven with grain and butter
for the market, they climbed down from their wagon with faces pale with
fear. "What is it? What is the matter with you?" cried the other maids,
who had come running out when they heard the sound of the wagon.
Ann Grete in her traveling dress stepped breathlessly into the roomy
kitchen. "Oh, hurry up and tell us!" called the girls again, "where is
the misfortune?"
"Oh, may our dear Jesus protect us!" cried Ann Grete. "You know from
the other side, across the water, that old Molly from Siegelhof--we
always stand together with our butter at the corner near the
apothecary's--she told me about it and Iven Johns said too, 'that
means a misfortune,' he said, 'a misfortune for the whole of northern
Friesland; believe me Ann Grete!' And"--she lowered her voice--"perhaps
after all it's not all right with the dikegrave's white horse."
Public-domain text, read in full here on John Shaqi.
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