The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
[Justus blows in like a fresh breeze just in time for tea. He has a
cheery word for each member of the family, and a hearty greeting for
Reinhold. He tells Reinhold that Berlin is becoming a great metropolis,
"_famös und famöser_" every day. He tells Aunt Rikchen he has a new
commission for a monument. Uncle Ernst interjects that Justus sets a
new head on an old figure to make a Victoria or a Germania. Uncle Ernst
thinks this a good symbol of German unity. Justus assures Reinhold that
this is Uncle Ernst's way; he is only envious; envy is his passion.
He envies God for having made the world so beautiful! Justus then
proceeds, eating and drinking everything in sight between the words,
to describe his new monument--Germania on a stove mounted on a granite
pedestal. On the fundament are to be reliefs, which Justus extemporizes
on the spot, making Reinhold a national guardsman with the wrinkles
of the old servant Grollmann; Uncle Ernst is to be the burgomaster,
and Ferdinande the prettiest girl; General von Werben extends his hand
to the burgomaster on entering the city. This awakens Uncle Ernst's
protest, as he hates the General. Ferdinande falls in a faint, and
Uncle Ernst shows the effects of his wine. Ferdinande goes into the
garden, and Justus and Reinhold leave the room to retire.
At breakfast Reinhold has a confidential talk with Aunt Rikchen and
learns many of the secrets of the family, especially the breach between
Uncle Ernst and Philip. Aunt Rikchen thinks Philip can't be so bad
after all, when he stops his poor old aunt on the street and asks her
if she wants any money.
Reinhold goes out of the house, with its gloomy associations, into the
glorious sunshine. He sees Cilli, the blind daughter of Kreisel, Uncle
Ernst's head bookkeeper, feeling her way along the iron fence, and
notices that she has caught her apron in a thorn-bush. He comes to her
relief and converses with her about the light, which she cannot see,
and about the world, which she can only feel and hear. Her face is an
animated ray of sunlight.
Reinhold starts out to find Uncle Ernst in his establishment. He
passes Ferdinande's studio and inquires of the young Italian, Antonio,
whether Miss Schmidt is in. Antonio makes an indifferent and rather
impolite reply, that he doesn't know. After passing from one department
to another, Reinhold finally finds Uncle Ernst confronted by a group
of socialistic strikers, and takes a stand close by his side. "We
are all socialists," cries a voice from the group. His uncle, in his
rage, orders the men to go and get their pay, and discharges them, as
he declares that might goes before right and revolution has become
permanent. He then sends Reinhold to accompany Ferdinande to the
Exhibition.]
* * * * *
Public-domain text, read in full here on John Shaqi.
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