The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
The young man in shirt-sleeves, who had given a rather discourteous
answer to Reinhold, after closing the door shook his fist, muttering a
strong oath in his native tongue between his sharp white teeth. Then
he stepped back into the inclosure and stole with noiseless tread to
the door which separated this studio from the adjoining one. He put his
ear to the door and listened a few minutes. A smile of satisfaction
lighted up his dark face; straightening up, he drew a deep breath and
then, as noiselessly as a cat, stole up the iron steps of the winding
staircase which led to the little room whence he had descended a few
minutes before to answer Reinhold's knock.
After some minutes he came down the stairs again, this time without
artfully concealing the noise, but stepping more heavily than was
necessary and whistling a tune. He now had his coat and vest on,
and wore patent-leather shoes on his narrow feet, at which he cast
satisfied glances as he descended. Downstairs he stepped quickly
before the Venetian mirror and repeatedly scanned his entire figure
with the closest scrutiny, adjusted his blue cravat, pressed one of
the gold buttons more firmly into his shirt front, and passed a fine
comb through his blue-black curls, which shone like raven plumes. His
whistling became softer and softer, and finally ceased. He turned away
from the mirror, noisily moving one object after another, till he came
directly up to the door at which he had listened shortly before. He
reached out and seized a footstool, which he had placed against the
wall at arm's length for the purpose, and now stepped upon it and put
his eye to the door, as he had his ear a while before--very close; for
he had with great pains bored a hole with the smallest auger, and had
experienced great difficulty in learning to see through it into the
adjoining room, or the place where she was accustomed to work. The
blood flushed his dark cheeks as he peeped through. "Oh, bellissima!"
he whispered to himself, pressing a fervent kiss upon the wood.
All at once he jumped away--noiselessly as a cat; the seat stood again
by the wall, and he himself stood before the half-finished statue of a
female figure of heroic size, as a knock was heard at the door on the
other side--"Signor Antonio!"
"Signora?" called the young man from where he sat. He had taken up
his mallet and chisel, evidently only better to play the rôle of one
surprised.
"Can you come in a moment, Signer Antonio? _Fatemi il piacere!_"
"_Si, Signora!_"
He threw down the tools and ran to the door, the bolt of which was
already shoved back. Notwithstanding the request, he knocked before
opening it.
"_Ma--entrate!_--How finely you have fixed yourself up, Signor Antonio!"
Public-domain text, read in full here on John Shaqi.
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