The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 11: Masterpieces of German Literature Translated Into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"Done! And now we must continue our journey of discovery. Good
gracious! Princess Heinrich August, with the princesses! The
unfortunate Passinis! She has certainly seen me--she sees everything at
a glance; I can't get away now.--But----"
"I am going!" said Reinhold.
"Yes, do; it is better! Here--give me your hand! Good-by!" She extended
her hand which Reinhold held for a second; her eyes were turned again
to the princess. He went down the corridor. When he turned again for
a moment at the end of the corridor, he saw Else just making a deep
curtsy to the princess. The noble lady had stopped and was speaking to
Else.
"How will she get out of it," thought Reinhold. "She cannot say she has
been in the bay window speaking with a pilot commander _in spe_."
Ferdinande had talked with her friends so long in the clock room that
she thought she noticed that Reinhold, who had repeatedly looked around
for her, now having dismissed her from his mind for the moment, was
fully occupied in examining the pictures. Then, bowing to the ladies,
she moved on with the crowd, which pressed toward the side room,
stopping a few moments at the entrance to make sure that Reinhold was
not following her; then, with quick steps and wearing the expression
of a lady looking for her lost companion, giving only a quick nod to
passing acquaintances, she went on through this room, the sky-light
room, and the fourth room, from there turning into the long series of
small rooms which extended along the larger, and into which but few
visitors came, even in the first days of the exhibition.
Today it was comparatively empty, although here and there scattered
visitors strolled past, scanning the pictures with hasty, feverish
curiosity, not stopping long anywhere, but occasionally casting a
glance of admiration at an officer who appeared to be absorbed in a
few medieval landscapes. Now his interest seemed satisfied; he walked
quickly up the passageway, until a picture at the far end again
attracted his attention; it was the same one at which Ferdinande had
been looking. The light fell so unfavorably upon the picture that it
could be seen to advantage only from one place, and the officer had
to approach very close to the lady--brushing her gown in doing so.
"Pardon!" he said aloud, and then in a low tone, which reached her ear
alone, "Don't turn round till I tell you to do so! Speak toward the
corner; no one can notice it. First, thank you!"
"For what?"
"For coming."
"I only came to tell you that I can't bear it any longer."
"Do I have nothing to bear?"
"No--in comparison with me."
"I love you, as you do me."
"Prove it!"
"How?"
"By actions, not questions!"
"But if my hands are bound."
"Break the bonds!"
"I cannot."
"Farewell!"
She turned toward the entrance through which she had come; he forgot
all rules of propriety and stepped in front of her. They stood face to
face, looking into each other's eyes.
"Ferdinande!"
"I wish to proceed!"
Public-domain text, read in full here on John Shaqi.
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