The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
HOST. The word "artists" ought to suffice.
COMMISSAIRE. I will decide on the word "subjects"--that the
entertainments which your subjects provide transgress in every sense
the limits the laws allow. Speeches are said to be delivered by
your--what shall I say?--by your artist-criminals which--what does my
information say?--(he reads from a notebook, as he had been doing
previously) which are calculated to produce not only an immoral
effect, which would bother us but little, but a highly seditious
effect--a matter to which the authorities absolutely cannot be
indifferent, at a time so agitated as the one in which we live.
HOST. M. le Commissaire, I can only answer that accusation by politely
inviting you to see the thing just once for yourself. You will observe
that nothing of a seditious nature takes place here, if only because my
audience will not permit itself to be made seditious. There is simply a
theatrical performance here, that is all.
COMMISSAIRE. I naturally cannot accept your invitation, but I will stay
here by virtue of my office.
HOST. I think I can promise you a first-class entertainment, M. le
Commissaire; but I will take the liberty of advising you to doff your
official garb and to appear here in civilian clothes. If people
actually saw a Commissaire in uniform here, both the spontaneity of my
artists and the mood of my audience would suffer thereby.
COMMISSAIRE. You are right, M. Prosper; I will go away and come back as
an elegant young man.
HOST. You will have no difficulty about that, M. le Commissaire. You
would be welcomed here even as a vagabond--that would not excite
attention--but not as a Commissaire.
COMMISSAIRE. Good-by. (Starts to go.)
HOST (bowing). When will the blessed day come when I can treat you
and your damned likes--?
[The COMMISSAIRE meets GRAIN in the doorway. GRAIN is in
absolute rags and gives a start when he sees the COMMISSAIRE. The
latter looks at him first, smiles, and then turns courteously to
HOST.]
COMMISSAIRE. One of your artists already? [Exit.]
GRAIN (whining pathetically). Good evening.
HOST (after looking at him for a long time). If you're one of my
troupe, I won't grudge you my recognition ... of your art, because I
don't recognize you.
GRAIN. What do you mean?
HOST. No jests now; take off your wig; I'd rather like to know who you
are. (He pulls at his hair.)
GRAIN. Oh, dear!
HOST. But 'tis genuine! Heavens--who are you? You appear to be a real
ragamuffin.
GRAIN. I am!
HOST. What do you want of me?
GRAIN. Have I the honor of speaking to Citizen Prosper?--the host of
The Green Cockatoo?
HOST. I am he.
GRAIN. My name is Grain, sometimes Carniche--very often Shrieking
Pumice-stone; but I was sent to prison, Citizen Prosper, under the name
of Grain, and that is the real point.
HOST. Ah, I understand. You want to play in my establishment and start
off with playing me. Good. Go on.
Public-domain text, read in full here on John Shaqi.
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