The German Classics, v. 20: Masterpieces of German Literature Translated into English
General
The German Classics, v. 20: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
"No," continued the man whom Michael Petroff had called the "Rajah," "I
excuse you, Sir, because I know that you are only doing your duty. But
your tact ought to prevent you from carrying out your precautions in
such an obvious way. I have given you my word of honor not to make any
attempt to escape. I want you to tell that to the English government,
by whose authority you are keeping me here in confinement. Neither have
I any weapons concealed in my room. I want you to search it."
"I know that perfectly well, my friend!"
"All the same, I want you to search."
And the "Rajah" would not be satisfied until the Doctor had promised
that his room should be searched immediately.
During this conversation Dr. Maerz had appeared in the doorway, with
the "Rajah" just behind him. Dr. Maerz was a small man, dressed in a
light-gray suit, with a ruddy beardless face and a quick, searching
but gentle eye, while the "Rajah" stood behind him, tall and dark,
and almost filling up the doorway. The "Rajah" had a long black beard
and a fearless, dark brown face, in which the whites of his eyes showed
strikingly.
The "Rajah" was simply a teacher, who had taught for a few years in
India in a German school. A protracted fever had caused an incipient
delusion, which, after his return to his native land, took entire
possession of him. He imagined himself to be an Indian prince, who had
been exiled by the English government.
He was extremely silent and reserved, and never talked with the other
patients. His bearing expressed an inscrutable calm and an apparently
quite natural pride. For days together he would favor no one with a
glance. He would walk up and down the garden, very slowly, gazing
scornfully at the flowers and trees, and every evening, if the weather
permitted, he would sit apart on a bench and gaze at the sinking sun,
turning his dark face toward it until it disappeared. And as he gazed
at the setting sun, an obscure, wistful sorrow glowed in his dark eyes.
For he saw palm trees, that seemed to melt into the sun, so that
only their tops showed, edged with flame, while their trunks were
invisible--and elephants, stepping proudly, with their little brown
_mahouts_ upon their necks--and glittering golden temples, and crowds
of dark, half naked natives, trotting along with branches in their
hands, and uttering shrill cries--and then too, he saw himself, going
on board the steamer that was to carry him into exile, while the dark
people threw themselves down on the quay and wept. The "Rajah's" soul
was filled with deep and bitter sorrow, and he rose and held his broad
shoulders more erect, as if he were bearing a heavy burden. And he bore
it! The "Rajah" never complained, never showed despondency, nor did he
ever show any sign of what was taking place within him.
Public-domain text, read in full here on John Shaqi.
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