The German Fleet: Being The Companion Volume to "The Fleets At War" and "From Heligoland To Keeling IslandHurd, Archibald
History
The German Fleet: Being The Companion Volume to "The Fleets At War" and "From Heligoland To Keeling Island
Hurd, Archibald
Germany. Kriegsmarine
Nothing reveals the statesmanship of Admiral von Tirpitz so strikingly
as the character of the naval legislation for which he has been
responsible, and the manner in which he has bent every influence
in Germany and every occurrence abroad to promote his ends. Prior
to the introduction of the Navy Act of 1898, the only example of a
continuous naval policy was the Naval Defence Act of 1889, under
which seventy ships of various types were added to the British Navy
during a period of four years. Of these vessels only ten were of the
armoured classes. This measure was confined to shipbuilding, and it
made no provision for increasing the personnel or for setting up a
fixed standard of commissioning. It merely provided a certain number
of ships and left it to Parliament to provide or not to provide crews
with which to man them, and, as a matter of fact, Parliament did not
provide the necessary officers and men until long after the ships were
at sea. Admiral von Tirpitz was not satisfied with so unmethodical and
unstatesman-like a measure of procedure when he went to the Marineamt
in 1897. He presented to the Reichstag a complete scheme of naval
expansion, making provision not only for the construction of ships in
specified numbers over a period of six years, but providing also for
the due expansion of the personnel and for the attainment of a fixed
establishment of ships first in full commission, secondly with nucleus
crews, and thirdly in reserve. In obtaining the assent of the Reichstag
to this measure, which to a great extent removed the naval expansion
movement from the control which it had hitherto exercised annually on
the presentation of the Estimates, the Minister of Marine achieved his
first great triumph.
Public-domain text, read in full here on John Shaqi.
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