The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.Mooney, James
Religion
The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.
Mooney, James
Dakota Indians -- Wars, 1890-1891; Ghost dance
There are frequent services, a sort of processional around the
outside of the fence, the prophet and a small boy with a bell
entering the inclosure, where, after hoisting the flag, he delivers
a sort of sermon. Captains or class leaders give instructions to
the people, who are arranged according to stature, the men and
women in different classes marching in single file to the sound of
drums. There seems to be a regular system of signals, at command
of the prophet, by the boy with the bell, upon which the people
chant loud or low, quick or slow, or remain silent. These outdoor
services occurred several times each day.
[Illustration: +Fig. 64+—Smohalla’s flag (heraldic).]
Smohalla invited me to participate in what he considered a grand
ceremonial service within the larger house. This house was built
with a framework of stout logs placed upright in the ground and
roofed over with brush, or with canvas in rainy weather. The sides
consisted of bark and rush matting. It was about 75 feet long by
25 feet wide. Singing and drumming had been going on for some time
when I arrived. The air resounded with the voices of hundreds of
Indians, male and female, and the banging of drums. Within, the
room was dimly lighted. Smoke curled from a fire on the floor at
the farther end and pervaded the atmosphere. The ceiling was hung
with hundreds of salmon, split and drying in the smoke.
The scene was a strange one. On either side of the room was a
row of twelve women standing erect with arms crossed and hands
extended, with finger tips at the shoulders. They kept time to the
drums and their voices by balancing on the balls of their feet and
tapping with their heels on the floor, while they chanted with
varying pitch and time. The excitement and persistent repetition
wore them out, and I heard that others than Smohalla had seen
visions in their trances, but I saw none who would admit it or
explain anything of it. I fancied they feared their own action, and
that real death might come to them in this simulated death.
Those on the right hand were dressed in garments of a red color
with an attempt at uniformity. Those on the left wore costumes of
white buckskin, said to be very ancient ceremonial costumes, with
red and blue trimmings. All wore large round silver plates or such
other glittering ornaments as they possessed. A canvas covered the
floor and on it knelt the men and boys in lines of seven. Each
seven, as a rule, had shirts of the same color. The tallest were
in front, the size diminishing regularly to the rear. Children and
ancient hags filled in any spare space. In front on a mattress
knelt Smohalla, his left hand covering his heart. On his right
was the boy bell ringer in similar posture. Smohalla wore a white
garment which he was pleased to call a priest’s gown, but it was
simply a white cloth shirt with a colored stripe down the back.
[Illustration: PL. XCI
Public-domain text, read in full here on John Shaqi.
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