The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.Mooney, James
Religion
The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.
Mooney, James
Dakota Indians -- Wars, 1890-1891; Ghost dance
The Sioux, like other tribes, believed that at the moment of the
catastrophe the earth would tremble. According to one version the
landslide was to be accompanied by a flood of water, which would flow
into the mouths of the whites and cause them to choke with mud. Storms
and whirlwinds were also to assist in their destruction. The Indians
were to surmount the avalanche, probably in the manner described in
speaking of the southern tribes, and on reaching the surface of the
new earth would behold boundless prairies covered with long grass and
filled with great herds of buffalo and other game. When the time was
near at hand, they must assemble at certain places of rendezvous and
prepare for the final abandonment of all earthly things by stripping
off their clothing. In accordance with the general idea of a return to
aboriginal habits, the believers, as far as possible, discarded white
man’s dress and utensils. Those who could procure buckskin—which is
now very scarce in the Sioux country—resumed buckskin dress, while the
dancers put on “ghost shirts” made of cloth, but cut and ornamented
in Indian fashion. No metal of any kind was allowed in the dance,
no knives, and not even the earrings or belts of imitation silver
which form such an important part of prairie Indian costume. This was
at variance with the custom among the Cheyenne and other southern
tribes, where the women always wear in the dance their finest belts
studded with large disks of German silver. The beads used so freely on
moccasins and leggings seem to have been regarded as a substitute for
the oldtime wampum and porcupine quill work, and were therefore not
included in the prohibition. No weapon of any kind was allowed to be
carried in the Ghost dance by any tribe, north or south, a fact which
effectually disposes of the assertion that this was another variety of
war dance. At certain of the Sioux dances, however, sacred arrows and a
sacred bow, with other things, were tied on the tree in the center of
the circle.
[Illustration: PL. XCIII
SIOUX GHOST SHIRTS FROM WOUNDED KNEE BATTLEFIELD]
EXPLANATION OF PLATE XCIII
The originals of these ghost shirts, now in the National Museum,
were taken, by scouts present during the fight, from the bodies of
Indians killed at Wounded Knee, and were obtained by the author,
at Pine Ridge, from Philip Wells and Louis Menard, mixed-blood
interpreters, the former having also been present as interpreter
for the Indian scouts during the fight. They are made of coarse
white cloth, sewn with sinew. One of the shirts is partially
burned, having probably been taken out of one of the tipis
overturned and set on fire during the action. Two other ghost
shirts, said to be from the same battlefield, are also in the
National Museum.
Public-domain text, read in full here on John Shaqi.
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