The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.Mooney, James
Religion
The Ghost-dance religion and the Sioux outbreak of 1890 : $b Fourteenth annual report of the Bureau of Ethnology, part 2.
Mooney, James
Dakota Indians -- Wars, 1890-1891; Ghost dance
My father, when I talked with the Great Spirit, he did not tell me
to sell my lands, because I did not know how much was a dollar’s
worth, or the game that run on it. If he told me so, I would tell
you to-day.
My father, you have heard what I have said. I have represented to
you our situation, and ask you to take pity on us and let us remain
where we are....
My father, I have shown you in the lines I have made the bad
places. Our warriors even are afraid of those dark places you see
there. That is the reason they threw their tomahawks aside and put
up their hands to the Great Spirit.
* * * * *
My father, every time we eat we raise our hands to the Great Spirit
to give us success.
My father, we are sitting by each other here to tell the truth. If
you write anything wrong, the Great Spirit will know it. If I say
anything not true, the Great Spirit will hear it.
My father, you know how to write and can take down what is said for
your satisfaction. I can not; all I do is through the Great Spirit
for the benefit of my women and children.
My father, everything belongs to the Great Spirit. If he chooses
to make the earth shake, or turn it over, all the skins, white and
red, can not stop it. I have done. I trust to the Great Spirit.
(_Ind. Off., 2._)
A few years later, in 1831, Catlin visited Känakûk, who was still
living with the remnant of his people in Illinois, and was then
regarded as their chief. He still preached the same doctrine, which
the artist incorrectly supposed was the Christian religion—probably
from the fact that the meetings were held on Sunday in imitation of
the whites—and especially was constantly and earnestly exhorting his
tribesmen to cease from drinking whisky, which threatened to destroy
their race. His influence had extended into Michigan, and many of the
Potawatomi were counted among his disciples. Catlin, who painted his
portrait (of which figure 60 is a reproduction), heard him preach, and
expressed surprise and admiration at the ease and grace of his manner
and his evident eloquent command of language. The traveler continues:
Public-domain text, read in full here on John Shaqi.
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